on empty water, you were taking in an active world of men’s retailing. You could listen in on conversations and see the tops of people’s heads. It had all the satisfactions of spying without any of the risks. If your dad was taking a long time being fitted for a jacket, or was busy demonstrating isometrics to the sales force, it didn’t matter.
“Not a problem,” you’d call down generously from your lofty position. “I’ll do another circuit.”
Even better in terms of elevated pleasures was the Shops Building on Walnut Street. A lovely old office building some seven or eight stories high and built in a faintly Moorish style, it housed a popular coffee shop in its lobby on the ground floor, above which rose, all the way to a distant ceiling, a central atrium, around which ran the building’s staircase and galleried hallways. It was the dream of every young boy to get up that staircase to the top floor.
Attaining the staircase required cunning and a timely dash because you had to get past the coffee shop manageress, a vicious, eagle-eyed stick of a woman named Mrs. Musgrove who hated little boys (and for good reason, as we shall see). But if you selected the right moment when her attention was diverted, you could sprint to the stairs and on up to the dark eerie heights of the top floor, where you had a kind of gun-barrel view of the diners far below. If, further, you had some kind of hard candy with you—peanut M&Ms were especially favored because of their smooth aerodynamic shape—you had a clear drop of seven or eight stories. A peanut M&M that falls seventy feet into a bowl of tomato soup makes one
heck
of a splash, I can tell you.
You never got more than one shot because if the bomb missed the target and hit the table—as it nearly always did—it would explode spectacularly in a thousand candy-coated shards, wonderfully startling to the diners, but a call to arms to Mrs. Musgrove, who would come flying up the stairs at about the speed that the M&M had gone down, giving you less than five seconds to scramble out a window and onto a fire escape and away to freedom.
Des Moines’ greatest commercial institution was Younker Brothers, the principal department store downtown. Younkers was enormous. It occupied two buildings, separated at ground level by a public alley, making it the only department store I’ve ever known, possibly the only one in existence, where you could be run over while going from menswear to cosmetics. Younkers had an additional outpost across the street, known as the Store for Homes, which housed its furniture departments and which could be reached by means of an underground passageway beneath Eighth Street, via the white goods department. I’ve no idea why, but it was immensely satisfying to enter Younkers from the east side of Eighth and emerge a short while later, shopping completed, on the west side. People from out in the state used to come in specially to walk the passageway and to come out across the street and say, “Hey. Whoa. Golly.”
Younkers was the most elegant, up-to-the-minute, briskly efficient, satisfyingly urbane place in Iowa. It employed twelve hundred people. It had the state’s first escalators—“electric stairways” they were called in the early days—and first air-conditioning. Everything about it—its silkily swift revolving doors, its gliding stairs, its whispering elevators, each with its own white-gloved operator—seemed designed to pull you in and keep you happily, contentedly consuming. Younkers was so vast and wonderfully rambling that you seldom met anyone who really knew it all. The book department inhabited a shadowy, secretive balcony area, reached by a pokey set of stairs, that made it cozy and clublike—a place known only to aficionados. It was an outstanding book department, but you can meet people who grew up in Des Moines in the 1950s who had no idea that Younkers
had
a book department.
But its
sanctum sanctorum
was the Tea Room, a
Ramsey Campbell, John Everson, Wendy Hammer
Danielle Slater, Roxy Sinclaire