the past three hundred years. Paris as circumscribed by the boulevard of Louis XIV, a square with slightly softened angles that could be seen as a figure of density and constraint, was still a medieval city. Like the famous knife of Jeannot, which sometimes had a new handle and sometimes a new blade, but always remained Jeannotâs knife, the streets of Paris, though their buildings were replaced over the years, remained medieval streets, crooked and dark. âVictor Hugo, summoning up the Paris of Louis XI, only needed to look around him; the streets bathed in shadow into which Gringoire and Claude Frollo disappeared were not so different from the streets of the Marais, the Cité, even the boulevards that he wandered in the 1830s and later described to us, in sentences similarly weighted with darkness and danger â in a word, of night â in
Things Seen
.â 3
In the 1850s, Privat dâAnglemont described âbehind the Collège de France, between the Sainte-Geneviève library, the buildings of the old Ãcole Normale, the Saint-Barbe college and Rue Saint-Jean-de-Latran, a large block of houses known by the name of Mont-Saint-Hilaire . . . a whole quarter made up of narrow and dirty streets . . . old, dark and crookedâ. 4 And the trades practised there â worm sellers, vegetable steamers, meat lenders, cheap illustrators, pipe seasoners â also went back to the depths of the Middle Ages.
Twenty years later, under the Second Empire, gas lighting, the great cuttings of the new boulevards, plentiful water and new sewers transformed the cityâs physiognomy more than the three previous centuries had done. (âTake any good Frenchman, who reads
his
newspaper each day in
his
taproom, and ask him what he understands by âprogressâ. He will answer that it is steam, electricity and gas â miracles unknown to the Romans â whose discovery bears full witness to our superiority over the ancientsâ, Baudelaire wrote in 1855 in
LâExposition universelle
). Yet Paris did not completely leave the Middle Ages behind in the nineteenth century. Just before the Great War, Carco could still describe a Latin Quarter where Villon would not have felt so out of place: âThe Rue de lâHirondelle, a couple of steps from the Seine, which you reach via the narrow and stinking corridor of Rue Gît-le-Coeur, its clientele made up of anarchists, prowlers, students, oddballs, tarts, down-and-outs, regaling themselves on the cheap . . . If there are places in the world, quarters reserved for human perversity, that surpass in ignominy these bordering on the Seine and stretching around the Rue Mazarine, where are they?â 5 And until the late 1950s, the alleys between the Place Maubert and the river â Rue de Bièvre, Rue Maître-Albert, Rue Frédéric-Sauton â the Saint-Séverin quarter and Rue Mouffetard, were still filthy and wretched. In his itinerary among the Paris poor, Jean-Paul Clébert described in Rue Maître-Albert, âthis dogâs leg of an alley that outsiders avoid, kitchens invisible from the main road, and which you enter from the side, taking the corridor that leads to the upper floors; you push open a door chosen at random and step down into a room as big as a chicken coop, in the midst of a family.â 6 The Place de la Contrescarpe had more tramps than Situationists, and there were some cafés that were hard to enter if you were not a ragged alcoholic. There were no tourists, restaurants or shops to be seen. Hotels rented rooms by the day to immigrant workers, without asking to see their papers. The offices of Messali Hadjâs Movement for the Triumph of Democratic Liberties were on Rue Xavier-Privas, a couple of steps from Notre-Dame. Contrary to a widespread idea, the final eradication of the Middle Ages in Paris was not the work of Haussmann and Napoleon III, but rather of Malraux and Pompidou, and
Fletcher Pratt, L. Sprague deCamp
Connie Brockway, Eloisa James Julia Quinn