before the thirteenth century, but they have been lost in the depths of time.
11 On the Right Bank, the wall of Phillipe Auguste began at the Louvre (its keep forming part of the wall), and followed a route corresponding to Rues Jean-Jacques-Rousseau, Montmartre, and Réamur. It then turned southeast, as far as Rue de Sévigné, and reached the Seine in the middle of the Quai des Célestins, close to Rue de lâAve-Maria.
12 Except what was discovered when work was under way for the Grand Louvre, and incorporated into the décor of the underground shopping centre, as well as a small pile of stones from the Bastille that decorates the square at the corner of the Boulevard Henri-IV and the Quai des Célestins.
13 After the Porte Saint-Denis, the wall of Charles V turned straight towards the Louvre, following a line that today runs through the Rue dâAboukir and the Place des Victoires. It reached the Seine close to what is now the Pont du Carrousel. On the Left Bank, which had scarcely developed in the meantime, this wall followed the earlier one of Philippe Auguste.
14 On the Left Bank, the route more or less followed the Boulevards des Invalides, Montparnasse, Port-Royal, Saint-Marcel and de lâHôpital, but building on this side, along what are known as the âboulevards du Midiâ, would get under way later, and on maps from the late eighteenth century you can still see the boulevard proceeding through open fields, well beyond the most outlying buildings of the city.
15 Henri Sauval (1620â70),
Histoire et recherches des antiquités de la ville de Paris
, posthumous edition (Paris, 1724).
16 Ãmile de La Bédollière, in
Paris Guide, par les principaux écrivains et artistes de la France
(1867). This guide, written for the benefit of visitors to the Ãxposition Universelle, had a preface by Victor Hugo.
17 Francis Carco,
LâÃquipe, roman des fortifs
(Paris: Albin Michel, 1925).
2
Old Paris: The Quarters
Whilst the triumphal arch of the Porte Saint-Denis and the equestrian statue of Henri IV, the two bridges,
1
the Louvre, the Tuileries and the Champs-Ãlysées all equal or surpass the beauties of ancient Rome, the city centre â dark, enclosed and hideous â stands for an age of most shameful barbarism.
â Voltaire,
The Embellishments of Paris
(1739)
Alas, Old Paris is disappearing at terrifying speed.
â Balzac,
The Lesser Bourgeoisie
(1855)
After many detours, I first reached Rue Montmartre and the Pointe Saint-Eustache; I passed the square of the Halles, then open to the sky, through the great red umbrellas of the fishmongers; then Rues des Lavandières, Saint-Honoré and Saint-Denis. The Place du Châtelet was quite wretched at this time, the fame of the Veau Qui Tette restaurant overshadowing its historical memories. I crossed the old Pont-au-Change, which later I had to have rebuilt, lowered and widened, then followed the line of the former Palace of Justice, on my left the sorry huddle of low dives that then dishonoured the Ãle de la Cité, which I would have the joy of razing completely â a haunt of thieves and murderers, who seemed able there to brave the correctional police and the court of assizes. Continuing my route by the Pont Saint-Michel, I had to cross the poor little square that the waters of Rues de la Harpe, de la Huchette, Saint-André-des-Arts and de lâHirondelle all spilled into, like a drain . . . Finally, I sunk into the meanderings of Rue de la Harpe before climbing the Montagne Sainte-Geneviève and arriving â via the Hôtel dâHarcourt, Rue des Maçons-Sorbonne, Place Richelieu, Rue de Cluny and Rue des Grès â on the Place du Panthéon, at the corner of the Ãcole de Droit. 2
Such was Haussmannâs itinerary as a law student living on the ChauséedâAntin in the early years of the July monarchy. At this time, the city centre had changed little in
Fletcher Pratt, L. Sprague deCamp
Connie Brockway, Eloisa James Julia Quinn