her early twenties with bright, healthy features and blond curls. She wore a pink and white checkered dress that suggested a good figure without bellowing the fact.
I introduced my partner, and Sally Joan Cobble shook our hands with embarrassing vigor. âThank you for coming! Thank you both.â
She gestured us to a sofa and took the chair opposite. I gave the room a quick once-over. The walls were covered with framed posters of concerts and music festivals come and gone, plus a scattering of photographs, most notably one showing Lorraine Cobble with a group of extremely wrinkled old men, each sporting overalls and a banjo. The room itself was a controlled jumble of books, stacks of paper, and record albums scattered across several surfaces. One long table supported a sizable phonograph and two or three other gadgets that I guessed might be recording devices. A number of stringed instrumentsâsome of which I could even nameâcrowded every corner of the room.
âThe place is a bit of a whirlwind, I know,â our hostess said. âPretty much like my cousin herself.â
Getting right into things, I flipped open my trusty notebook. âWere you here in the Village at the time of Lorraineâs death?â
âNo, I was back home then, but Iâve been up here since her funeral about a week and a half ago. Iâve been staying at a hotelâI couldnât bear to sleep here in her apartment knowing thatâ¦â Sally Joan glanced up at the ceiling, no doubt visualizing the rooftop above. âAnyway, Iâve been organizing her belongings, meeting with her lawyers ⦠Those sorts of things.â
Mention of lawyers brought an obvious question to mind. âWhoâs her beneficiary?â
Sally Joanâs face reddened. âI am. Or, I should say, itâs mostly me. She left some smaller bequests to other family members and to a few music societies, but she left me the bulk of it. Not that itâs a huge amount, you understand. Lorraine spent a lot in pursuing her work, but itâs a nice amount all the same.â
Mr. OâNelligan nodded. âDo tell us about her work ⦠and her life.â
Whereas I was more inclined to aim for the facts of the case, my colleague was always interested in the human angle.
âLorraine was likeâ¦â A little smile played across the young womanâs lips. âA patchwork. Yes, like thatâmade up of a lot of different pieces. Kind of a crazy quilt, some people might say. Itâs really unfortunate, Mr. Plunkett, that you only saw her that one time when she was so ⦠Well, you know.â
I did know. âVolatile?â
âYes, she could be very agitated where her work was concerned. You really need to understand, though, that she wasnât just that ⦠that nutty woman you saw. She could be very tender and sensitive.â Her voice now trembled with emotion. âShe was always kind to me.â
âWe understand,â Mr. OâNelligan said gently. âEvery soul is a mix of many things. Your patchwork comparison is a fine one, indeed. So, you were quite close to your cousin?â
âSort of. Though itâs not like we spent tons of time together. Sheâs seventeen years older than I am.â Sally Joan paused. âI mean, was older. I have three brothers, but Iâm the only girl, so I always looked up to her in that way. I think Lorraine thought of me as something of a kid sister. She was living with my family when I was born. Her parentsâmy uncle and auntâdied in a car accident when Lorraine was a teenager, so my folks took her in for a few years.â
âWas she always involved with music?â my partner asked.
âOh yes, for as long as I can remember. She was already collecting songs when I was little. I remember when I was five or six, she came back from Appalachia and played a dulcimer for me. That one, I think.â She