she does.â
I blushed and studied the hole in the carpet to the side of the desk leg.
âI donât doubt her talent. There are . . . other considerations.â
Ginger didnât get mad often. Even worse, she didnât scream and cuss like normal people even when she did. No, she got dangerously calm. âBeulah, you go on out there and turn on the lights. Warm up a little. Weâll be out in a minute.â
I jumped up and leaped out the door. To this day, I have no idea what Ginger told Luke to make him change his mind. All I know is he wasnât so interested in the Equal Opportunity Act when the two of them came into the sanctuary to hear me play.
She stood beside him, gripping his arm a little too hard. âPick a number, Reverend.â
âThis really isnât necessary at this point,â he said, shaking his head as though still puzzling out how sheâd talked him into it.
âBeulah, play two-forty-five. Play it straight.â
I opened a familiar and worn brown hymnal to âWhispering Hope.â Not one of these songs was difficult because Ginger taught me to play them when I was only a girl; playing it without embellishment was going to be the hard part. Technically, I put each note in the right place at the right time, but there wasnât a lot of heart and not even a whisper of hope.
âYou taught her how to play using the Cokesbury Hymnal, didnât you?â He marveled. Now he knew how an infidel like me had known about a golden oldie like âDwelling in Beulah Land.â
âBut thatâs not all,â she said to him before turning back to me. âHow about some Bach?â
I launched into the opening of the Toccata and Fugue in D Minor. The solemn, menacing notes rang hollow in the little sanctuary, but my eyes cut to the organ to my right. That could liven things up, and Iâd always wanted to learn to play the organ.
âBeulah, one-twenty-seven.â A flush of revelation ran cold then hot on my cheeks: Ginger Belmont had been grooming me for this moment from the day we met.
I shook off the epiphany and played another hymn with the same cold precision I had used to play the classics.
âJazz âer up,â she commanded.
My shoulders relaxed, and I leaned toward the piano as our trip to âHigher Groundâ took on a winding Dixieland route.
âThatâs lovely,â Luke said calmly. âNow, could you please play number eighty-nine from the blue hymnal?â
The blue hymnal? The last time Iâd been at church, those bad boys had done nothing more than gather dust.
Luke cleared his throat. âThereâs a stack on top of the piano.â
I took one of the books in question, sucking in a deep breath. I could sight-read musicâno problem thereâbut just the thought of something unexpected gave me another chill. I flipped to Lukeâs request and scanned the hymn, reading all the way to the bottom. Beethoven?
My fingers started slowly, fumbling only once before I recognized the melody as having come from Beethovenâs Ninth. By the second verse I was confident enough to add my own syncopation and ornamentation.
âThatâs enough.â Lukeâs firm voice echoed through the sanctuary. âI would prefer you play all songs exactly as written.â
âPlay it straight, Beulah.â Ginger spoke so softly, I almost didnât hear her. Still, I sat up tall and played as though the Mormon Tabernacle Choir planned to join in at any minute.
âThank you,â Luke said with something that sounded oddly like victory. âIâll get you the bulletin for this Sunday, but Iâm afraid you canât jazz it up. You may be talented, but thatâs not why youâre here. I donât want people to get confused and lose their place while theyâre trying to sing.â
I slumped the minute he disappeared. No jazz? I could think of no worse punishment than
Cross-Eyed Dragon Troubles