and steel. It was a post-modern masterpiece.
A long silver drawbridge spanning a moat led to an eighty-foot-high silver door that gave access to the incredible structure. Right now, the drawbridge lay open.
The entire building rose all the way up the southern face of the mighty crater, reaching right up to its rim.
A vast piazza lay before the glistening white building. Standing proudly in the middle of it was a gigantic crystal statue of a dragon rearing up on its hind legs, wings outstretched, jaws bared. It must have been seventy feet tall.
‘Our main entrance building was designed by Goethe + Loche, the prestigious German architectural firm,’ Zhang said as he guided the group out of the train station and across the piazza to the drawbridge. ‘And our crystal dragon was designed by the French sculptor Christial. It is rather striking, is it not?’
‘Magnificent . . .’ Wolfe said.
‘Superb . . .’ Perry said.
CJ said nothing as she walked underneath the statue.
Everything about the scene—the marble square, the crystal dragon statue, the moat and drawbridge, the post-modern castle—it all just sparkled.
It was, she had to admit, impressive. More than that, it was distinctive , as distinctive as Disneyland.
But as she considered this, CJ also realised that Seymour Wolfe had been correct: the Chinese hadn’t designed any of what she’d seen so far; it had been the work of European architects and artists.
Countless bollards and rope fences had been erected around the square, creating aisles that switched back and forth in anticipation of the enormous crowds the Chinese expected to come here.
There were no queues today, but CJ could imagine them. If the Chinese had really created a zoo with dragons in it, the crowds would be monstrous.
With those thoughts in her mind, she followed her hosts across the drawbridge and through the superhigh silver doorway into the Great Dragon Zoo of China.
E ntering the main building, CJ stepped into the loftiest atrium she had ever seen in her life. The ceiling of the vast space hovered an astounding thirty-five storeys above her, as if it had been designed to house a space shuttle.
CJ saw a tangle of white-painted girders up there, suspended from which was a collection of enormous—and very lifelike—dragon sculptures that appeared to be made of fibreglass.
Some had their wings outstretched while others dived toward the ground, hawk-like, talons pointed forward. Others still stood on massive pedestals in coiled, crouched stances, as if ready to pounce. All had their fearsome jaws open, fangs bared.
The dragons, CJ noted, came in several sizes. Their colours also varied: some were brilliant and vibrant, with splashes of red-on-black or yellow-on-black, while others were more earthy: rocky greys and olive greens.
Eight glass elevators ran up the side wall of the giant atrium and CJ and her party rode up in one of them, rising past the suspended dragons, all the while filmed by the CCTV crew.
‘This,’ Wolfe said, gazing at one of the more aggressive dragon statues outside the elevator’s glass walls, ‘is simply amazing. This is what it would be like to fly with dragons.’
Hu Tang smiled. ‘My dear Mr Wolfe. You have not seen anything yet.’
The elevator opened onto an entertaining suite. Food and drinks had been laid out.
A fifty-metre-wide bank of floor-to-ceiling windows and glass doors faced north and CJ found herself drawn to them. The glass was tinted to keep out the glare, so she could only just make out the vista beyond the windows.
It looked like a primordial valley, with forests and rock formations, lakes and waterfalls, all of it veiled in the ever-present mist of southern China.
With Hamish behind her, CJ pushed open one of the tinted doors and stepped outside. Sunlight struck her face and she squinted.
When her eyes recovered, CJ saw that she was standing on an enormous, enormous balcony. It stretched away from her until it stopped
Carmen Caine, Madison Adler