him speaking to her softly, backlit by the light coming through the curtains. We canât see his actions, or her, but we hear her quiet replies.
SAMSON
Is there anyone you would like me to contact for you?
SICKLY WOMAN
No. Just the bank.
SAMSON
I will certainly do that.
SICKLY WOMAN
Thank you, Sam.
SAMSON
Youâre going to feel a little prick here.
SICKLY WOMAN
Ahâ
SAMSON
Itâs okay.
SICKLY WOMAN
Samâ¦
SAMSON
Itâs okay.
SICKLY WOMAN
Saâ
SAMSON
Itâs okay.
Sam waits another quiet moment and then exits. Through the pale veil of the living room curtains we see him take a real estate lawn sign from out of his truck and put it up in the front lawn.
Sam fires up the melody maker and pulls away.
The sign on the front lawn reads: FOR SALE.
***
Robert is curled up like a baby on top of the covers.
The dresser, the mirror, the night stand. A clock ticks over the silence, surgically counting another day away.
A tiny, tempting melody creeps into the bedroom and dances around his head like a swarm of drunken mosquitoes.
Robert opens his eyes.
He descends his driveway and waves Samson down. Sam pulls over and leans out the window like a thousand-watt bulb.
SAMSON
Howdy.
ROBERT
Hello.
SAMSON
What can I do for you?
ROBERT
Well⦠Iâm not exactly sure.
SAMSON
Hot chocolate is pretty popular this season.
ROBERT
Iâll bet. What else do you have?
SAMSON
What else are we in the market for?
ROBERT
Iâm not sure. Something a little stronger, I guess.
Sam considers him.
SAMSON
You a cop?
ROBERT
No. Do I look like a cop?
SAMSON
Yes. Do I look like the ice cream man?
Sam opens up the rear of the truck and leads Robert inside.
ROBERT
Holy smokes.
The interior seems oddly and deceptively bigger than it could possibly be. Part laboratory, part showroom, the ice cream truck has been perceptibly re-sized and retrofitted as a state-of-the-art medicine wagon.
SAMSON
As you can see, Iâm able to offer just about anything that you might be looking for. So. What is it that youâre looking for?
Hundreds of bottles and jars are beautifully displayed on glass shelvesâa dazzling rainbow of pills, powders, capsules, and exotic plants.
ROBERT
Gosh. Something for pain, I suppose.
SAMSON
What type of pain?
ROBERT
A general sort of pain.
SAMSON
Physical or mental?
ROBERT
Well I guess itâs sort of that gray area.
SAMSON
I see. Are you taking any medication, currently?
ROBERT
No, not really. Vitamins. Aspirin. Coffee, I guess. If that counts.
SAMSON
It depends on the quantity, of course. Can wreak havoc on the adrenals, but itâs my weakness too.
How is your mortgage situation?
ROBERT
Fine. Paid off, actually. Thatâs one thing Iâm not worried about. Why?
SAMSON
Just a stress indicator.
ROBERT
Whatâs this?
Inside a solitary medicine cabinet, behind a glass door, there is a vessel containing a silver metallic liquid.
SAMSON
Ah, thatâs just a novelty item.
ROBERT
It looks like mercury.
Robert leans into the glass to gaze upon the curious, attractive substance.
ROBERT
Itâs very beautiful.
SAMSON
Isnât it?
Sam moves to the work counter and begins working with a mortar and pestle and some herbal greenery.
But Robert canât take his eyes off the silver vessel. The shimmering liquid reflects a fish-eye view of the room.
ROBERT
Well, is it?
SAMSON
What?
ROBERT
Mercury.
SAMSON
Quicksilver, actually.
ROBERT
Oh⦠Whatâs the difference?
SAMSON
Semantics.
ROBERT
What do you mean?
SAMSON
Exactly.
Robert draws a blank.
SAMSON
It depends on how you look at it.
ROBERT
Uh huh. Whatâs it for?
SAMSON
Itâs not for anything.
ROBERT
Then why do you have it? What does it do?
SAMSON
It does have some therapeutic properties.
ROBERT
You just said itâs not for anything. Mercury is poison.
SAMSON
Sort of. In a way, yes.
ROBERT
So you poison