now.â
âNo,â Nina said, âyouâll jump in the Tiber.â
âWhy not?â
âSo theyâll fish out another fool.â
âThere will be one less in the world.â
âI ought to let you!â
âItâs not important either way,â the girl said.
âExcept,â Nina said angrily, leaning toward her, âI went through all the trouble of getting you a nice one.â
The girlâs face was averted. âYou take him,â she said. âYou like Americans.â
âLike them?â Nina laughed. âSome I could spit on. You should see their officers as Iâve seen them . . . what animals! Screaming in the hotel corridors, and such jokes! To them itâs a wonderful joke to hang toilet paper from a chandelier!â
âTheyâre gay,â the girl said. âFor them itâs a gay war.â
âNo,â Nina said, ânot really; theyâre not really gay. Really theyâre a gloomy people, the Americans . . .â
âAnd your captain?â
âThatâs something else.â
âWill he marry you?â
âThe man has a wife somewhere. Ohio . . . and sheâs cold and ungrateful and extravagant . . .â
âWhy doesnât he divorce her?â
âOh,â Nina said, âitâs wonderful how many cold wives the Americans have they do not divorce!â
âChe brutta guerra,â the girl said.
âSì. But what shall I doâcry my eyes out? Or jump in the Tiber? Thereâs enough corpses on the bottom now . . . and itâs better to eat and to go to Florence when one can . . .â
âOr wait,â the girl said, âin a house for some Roberto . . .â
âYes, even to wait in a house for some Roberto,â Nina said.
âBut,â the girl said.
âBut what?â
âHe may not like me.â Nina looked at her, and smiled slightly. The light lay on the fine skin. Her hair shadowed her eyes.
âMy dear,â she said, âwould you like to bet?â
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3.
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E ccolo!â Adele said, coming in through the doorway, carrying a tray. âThe coffee . . .â The coffee steamed on the tray.
Behind Adele appeared a tall thin old man, a newspaper tucked under his arm. His spectacles sat on his forehead. He looked into the room.
âYou are still here?â Ugo Pulcini said to Nina. âI thought youâd already be high in the mountains.â
âMy husband,â Adele said. âThis is the Signora Lisa. She is taking Ninaâs room.â
âAh,â Ugo said, âwith the American husband.â He came into the room. âIn Milan onceâbefore the war, it was all before the warâI knew an American girl. A schoolteacher. At the Hotel Tuscania . . .â
âSo!â Adele said, looking at her husband.
He smiled, deprecatingly. âAn old transgression, my dear . . . 1920! She was making a summer tour. I remember she ate little sandwiches, and in the hotel there was a bar with a special fountain for American schoolteachers . . . a bar with carbonated water and ice cream . . .â
âDid she enjoy her tour, Ugo?â Nina asked.
âIt was 1920 . . . a quarter of a century ago! Besides, I had a great curiosity about American women.â
âDid you satisfy it?â Adele said.
âTo an extent, my dear: to an extent.â He sighed. âYou see how far back I have to go to find a pleasant memory?â
âDrink your coffee, Don Giovanni,â Adele said.
âNow, of course, the tours are different,â Ugo said, sitting down. He sighed again, thinking perhaps of the carbonated water. âThere are no more schoolteachers who eat little sandwiches at the Hotel Tuscania . . . now there are only soldiers who scratch their names on the walls of the Colosseum. Yes, among the names of the martyrs, and the ghosts of the great gladiators, their names,
David Stuckler Sanjay Basu
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