minibus driven by one of her endless supply of nephews, outings that invariably end at a trattoria run by another nephew, where Signor Bardinoâwho is tall, lugubrious and very Italianâsometimes joins us. On these occasions, the signoraâs accent, which is impenetrable already, grows even thicker, something I have appreciated all the more since Piero told me that she comes from Westchester, New York. This fact alone makes her almost as much a product of her own imagination as her academy is.
I pointed this out to Billy the other night, and she laughed and blew smoke through her nose. âWelcome to Florence,â she said. âCity of the Uncommon Delusion.â
Signora Bardino interests me, not only because of what she has morphed herself into, but because sheâs a friend of Pierangeloâs soon-to-be ex-wife. Piero suggested her academy in the first place, and Iâve watched her to see if she has any inkling of my real connection to him. So far thereâs been no evidence, and itâs certainly not something I feel inclined to reveal. To Signora Bardino or anyone else, for that matter.
Itâs not that I keep Pierangelo a secret, but Iâve been here almost a month now and Iâve noticed that none of us enrolled at the academy spend much time discussing who or what we are when weâre not here. In my case the reasons for this are obviousâI donât talk about what happened to me with anyoneâbut generally I think we donât do it because it would ruin a vital part of what weâre paying for: the illusion that this really is our life.
I donât know for sure what the others have done to increase the viability of their own particular dream worlds, but the first thing I did when I got here was change how I looked. I had my previously boring long blonde hair cut into a pageboy and dyed chestnut brown. Then, yesterday, I went a step further and had it striped. Now, I run my fingers through my metallic streaks, thinking what a fit the nuns at the convent summer camp I used to go to would have if they could see them, and watching the lights switch off in the apartment opposite. The sound of water burbling in our pipes tells me Billyâs pulled the plug in her bath and is on her way to bed, which is a relief. Not because of her, but because, more and more, I think of this city the same way I think of Pierangelo; as an intimate, a lover. And I relish the time we spend alone together.
Florence knows things about me no one knows. These narrow, hemmed-in streets, the blank grey faces of these buildings with their huge doors that conceal their secrets, in turn know my secrets. This city knows where I was unfaithfulâwhere I held a hand, stole a kiss. It has heard my laughter, my footsteps and my cruelty. Heard me tell Piero how Ty always followed me, never left me alone, and how it drove me crazy. It has listened to me complain that I was fettered by Tyâs love, and watched while I stood on street corners, or sketched a building. It has seen me naked, standing at the window of a borrowed apartment. And tied up. And gagged, lying in the grass, a paper face laughing at nothing while consciousness flickered like a firefly. Florence has seen all that, and the idea would be repellent if stones judged. But they donât. They merely witness.
Love. Hate. Luck. Iâm sure thatâs what the stones would tell me if they could speak, that I was lucky, and caution me not to forget it. And I donât because itâs true. It was the first thing I thought of this evening when Kirk mentioned the girl.
Kirkâs Italian is not as good as he thinks it is, and he was labouring over the paragraph in the evening paper when he finally announced, âIt was a rower who found her.â
After that, he read on, his voice faltering over the longer words, sounding out the syllables, and more often than not getting the stresses wrong. But despite that, or maybe