corridor. The girl with bare feet was hanging on to the window bars. She wore a green shirt with a rip in it and a gathered skirt with an uneven hem and looked very confident. Obviously the rip was in exactly the right place, and the hem needed to be uneven.
The lavatory door was locked, but after she had banged several times it opened and a woebegone face appeared around it. In one plump hand the little boy held a bedraggled tie.
âItâs no goodâI looked but the holeâs too small. No oneâs wearing a tie. No one. And thereâs a girl without any shoes, and I want to go to a proper school where they have prefects and play cricket,â he wailed.
And a tear fell from one of his large blue eyes.
âWe could throw your tie out of the window,â suggested Tally. âThat would be simpler. Or Iâll keep it for you till you go home.â
The idea that he might one day go home again cheered Kit up enough to stop him crying, and he followed her out into the corridor.
âWait a minute,â said Tally. âJust let your shirt hang out over your shorts. And take off your socks. Iâm going to take mine off, too; theyâre a bit clean and white.â
Back in the compartment they found the teacher with the clipboard. She seemed to have forgotten about Augusta Carrington and looked relaxed and cheerful. Her amazing russet hair tumbled down her back and her amber eyes were flecked with gold.
âOh, there you are. Good,â she said, smiling at Tally and Kit. âIs everything all right? â
Tally nodded, and Kit, who had been about to repeat that he wanted to go to a proper school where they played cricket, decided not to.
âWell, if you want anything Iâm in the next carriage,â she said. âIâd better go and see how the other new people are getting on.â
âItâs not fair to make Clemmy take the school train,â said Barney when she had gone. âShe hates all those lists and things, and somebody always does get lost. They could get someone boring and bossy like Prosser.â
âWho is she? â asked Tally.
âSheâs called Clemency Short. She teaches art and she helps out in the kitchens. Sheâs a marvelous cook.â
âI thought Iâd seen her before, but I canât have done.â
âActually you can,â said Barney. âSheâs in the London Gallery as the Goddess of the Foam, coming out of some waves, and on a plinth outside the post office in Frith Street standing on one toeâonly thatâs a sculpture.â
âAnd on the wall of the Regent Theater as a dancing muse,â said Julia. âShe looks a bit cross there because the man who painted the mural was a brute and made the girls stand about in the freezing cold dressed in bits of muslin, and Clemmy got bronchitis. Thatâs what made her decide to stop being an artistâs model and become a teacher.â
It was a long journey. The children brought out their sandwiches; they grew drowsy. Julia had stopped turning the pages of her magazine. Tally thought she might be asleep, but when she glanced at her she saw that she was looking intently at one particular picture: a photograph of a woman with carefully arranged curls drooping on to her forehead, a long neck, and slightly parted lips. The caption said: âGloria Grantley: One of the loveliest stars to grace the firmament of film.â
âIsnât she beautiful? â said Julia, and Tally agreed that she was, though she didnât really care for her. Gloria looked hungry, as though she needed to eat an admiring gentleman each day for breakfast.
The train stopped briefly at Exeter and Clemmy came past again, checking that everybody was all right.
âBy the way, youâre in Magdaâs house,â she told Tally. âAnd Kit, too. Julia will show you; sheâs with Magda, too.â
âOh dear, thatâs bad news,â said
Carmen Caine, Madison Adler