stammered rather badly. He had grown stern with himself. The sternness was evident on his young face when the face was quiet. It vanished when he looked at Celia.
âY-your fatherâs going to miss the year,â he said, and his smile was the youngest thing about him as he looked down at Celia Kirkhill, reached out to put an arm around her shoulders. He looked over her head at Freddie Haven. âThe babyâs worried,â he told her. (He said, âThe bu-babyâs wh-worried.â After he had hesitated on the brink of a word he said it rapidly, clipping it.)
Freddie said she knew. She said it wasnât anything.
âOf course not,â Curtis Grainger said. âIâve been telling Ce. As my father says, the senatorâs indestructible.â He grinned, disarmingly. âMy father ornaments it,â he said.
âIâll bet,â Freddie said.
The buzzer had sounded in the foyer. She was conscious she was listening; that she had frozen in listening. She heard one of the maids move to the door, heard the door open, her ears straining.
âGood evening, miss,â Freddie heard Marta say, and heard a voice she knew, speaking quickly, accenting the words. â So late,â the voice said. âHas every bodyâ?â
Breese Burnley came into the living room quickly. She wore a white dress, her shoulders bare, a thin, flat circle of diamonds about her lovely throat. As always, now in spite of her disappointment, Freddie Haven was conscious of surprise when she looked at Breese. It was difficult to grow accustomed to such perfectionâsuch perfect perfection. Surely, coming out of a snowstorm, one strand of all the black, artfully arranged hair, would be at odds with art; surely one of the long eyelashes over deep blue eyes would have lost its curl.
âDarlings!â Breese said. âIâm so late. So sorry.â
Breese Burnley looked at Freddie with a perfect smile, at Celia, at Curtis Grainger. Then, almost without hesitating, only slowing a little as for a grade crossing, she looked on beyond them, her smile still perfect, still ready. It was sometimes difficult to speak to Breese Burnley, so rapidly did she pass you, go on to the person beyond.
âHello, Breese,â Freddie Haven said, feeling that she was calling the words after Breese, although Breese herself had not moved. Celia said, âHello,â and there was little expression in her young voice. Curtis Grainger said, âHello, Bee-Bee,â making himself utter the difficult nickname, the obvious nickname, without trace of stammer. He wants, Freddie thought, to give her no hold on him, not even the hold of this tiny weakness, this meaningless vocal uncertainty.
â So late, darlings,â Breese said again, looking beyond them, still smiling at them. âAnd I did hurry.â
âStill time for a drink, darling,â Freddie promised her. âIâllââ
âDarling,â Breese said. âAs if you didnât have enough! I do it myseps.â It was a catch word of hers, âmyseps.â It stemmed from baby-hood. âBreese will do it herseps,â Fay Burnley said of her daughter, admiringly. Credit where it was due, Freddie had thought. Breese did it herseps, all right. (âB-B indeed,â Bruce had said of Breese. âA five-inch shell.â)
Now Breese, patting Curtâs arm in passing, patting it with almost no trace of lingering, went onâwent on, slim and perfect, infinitely provocative to the male, very beautiful, very certain because of her beauty. The three of them watched her go. There was a faint smile on Freddie Havenâs lips. âOur only Bee-Bee,â Curt said, not bothering, now, to enunciate with precision the difficult nickname.
The smile was insecure on Freddieâs lips. It faded away. She was conscious that Celia was looking at her again. The girlâs eyes were demanding
Gary Chapman, Catherine Palmer