cannon-wielding tank, aiming at the Cave doors. Itâs not firing, though. And there are some soldiers in hazmat suits, but theyâre facing the other way, toward the road, where Jimmy can see three sheriff cars have pulled up, men standing behind their doors, talking, waving. The deputy who gave him a ticket for riding his bike on the sidewalk. Prick. Guess the secretâs out. Fenton knows about the quarantine by now. Jimmyâs veins freeze. Maybe itâs spread farther. Maybe his parents are sick.
âWhatâs going on?â Jimmy asks. Veronica has tossed herself into a seat and is flipping through channels like his roomie on a rainy day.
âIâm not sure,â she says. âBut it isnât good.â
âWhere is everyone?â
âDonât know. Donât know anything.â
She stops at a still image of an open vault, the map shining bright in the center of its domed room. Chuck, the other Westbrook alum, lying on the floor. Veronica curses, but keeps going. âWhere are you where are you where are you?â
Then she pauses again, at a feed from the greenhouses, where Jimmy and the others had snuck in. The back entrance to the Cave. The doorâs open. Howâd that happen? The greenhouses filled with hybrid creations are a tattered mess of broken glass and steam. Odessaâthe botanistâlets out a moan. She, more than he, understands exactly whatâs being lost. Veronica keeps flipping, slower now, almost resigned, like she knows whatâs coming.
Maybe she does.
Thereâs Sutton and a group of heavily armed men, crouch-running with their rifles up. They mustâve entered the Cave through the back door, even though Mia blew up the Aqueduct to try to stop them. Jimmy tries to imagine a bucket brigade of soldiers in hazmat suits passing rocks down the hill until theyâve cleared enough space to enter the tunnels. On the monitor, theyâve hit the elevator doors to the well. Veronica patches in another monitor, simultaneously showing the cavern where the well is. Thereâs Mia, Rob, Jo. Theyâre standing on the catwalk, yelling at one another, their mouths moving even if their voices donât come through.
âRun! Heâs almost there!â Jimmy shouts at the screen.
âThey canât hear you,â Veronica says.
âBut canât you speak to them through the loudspeakers or something? Like you did to us back at the greenhouses?â Odessa asks.
Veronica flips a switch, but before she gets a chance to speak, Mia jumps. Itâs as if the switch was for Mia, as if Veronica just made her do it. Mia
dives
into the well. Rob and Jo look at each other and then do it too, one after the other, disappearing below the surface. Itâs only when the water settles that Jimmy realizes thereâs
actually water in the well,
while before, it was empty, and that whole story Miaâs dad had told them about the water coming every seventeen years was really real. The virus is real, the water is real. Jimmyâs an adult now. Everythingâs real.
âShe canât do that. Thatâs impossible,â Veronica says, shaking her head at the screen.
âWhat just happened?â Odessa murmurs.
Veronica flips the switch again, turning off the intercom. Just in time, because thereâs a flash, blinding the screen, and soon after, Suttonâs there, at the water, with his guys. He makes a motion and they fan out, running to search all the nooks and crannies in the Caveâfat luck there. A number of other soldiers hurry to activate the pumps and suck water into the fifty-five-gallon blue plastic barrels Mr. Kish had set up for storing the water. Sutton bends over and takes a mouthful of the water. Jimmy can see him relax as he sits down and drinks more. He motions to someone. Odessa grabs Jimmyâs arm and squeezes, like theyâre watching a thriller, like she canât bear to see whatâs