Odessa says quietly, âmaybe sheâs right. If we can get out of here, we can help people. We can save our families. My little sister. She doesnât know anything about anything. We canât let her die.â
Jimmy thinks about it. âBut if we donât stop Sutton from taking over this place, then weâre no good to anyone. Not our family, not our friends.â He turns to Veronica. âYou donât have any guns, do you?â
She shakes her head. âJust lots of syringes.â
âDo you have anything? Anything that can stop them?â
âYou really should go. With these cameras, I can guide you safely out of here. Listen to Odessa.â
Jimmyâs face is set in stone. âI did. Iâm sorry, Dess, but this comes first. We need the water to help people, which means we need to stop Sutton.â He turns back to Veronica. âNow, again,
think,
what can we use? What do you have?â
Veronica takes a deep breath and seems to steel herself. Suddenly she looks more like the woman they saw yesterday, the one who could handle herself. Handle anything.
She takes a walkie-talkie off a wall charger and hands it to Jimmy. âOkay, you twoâgo. Sutton knows this place, he heard you, so heâll come here first. That should take another two or three minutes. Enough time to get moving.â
âBut where are we going? Whatâs the plan?â Odessa says.
âYou asked what we have if not guns,â Veronica says, opening the door for them and motioning them out. Odessa moves reluctantly, not sure sheâs ready to leave the relative safety of the room. âYou asked me to think?â
âYeah . . .â Jimmy replies, wary.
âIâll tell you what we have. We have monkeys.â
4
THE GATES ARE SO LARGE THAT IT TAKES A GOOD TEN minutes of walking to get past their wide arms. The trees behind us have faded away into a soft glow, but thereâs another light coming up ahead, down a slope. The moss has given way to a road, paved in flat smooth stones, black and white at regular intervals, like a flowing chessboard.
Below us, spread out in stunning beauty, a city opens like a sunrise. Tall buildings, towers and spheres and geometrically pleasing triangles jut high into view, filling the air with spires. I can make out balconies, large windows, rooftop terraces with gardens and trees. Big and small birds fly across the streets, their wings shimmering softly. It seems as if every inch of space has been accounted for, jammed together. The cityâs bursting at the seams. Itâs unlike anything Iâve ever seen.
âThis is incredible,â I say, unable to help myself.
âThis is Capian, my home. Your cities are like this, yes?â Straoc asks.
âNew York, maybe,â Rob says. âBut not really. Nothing like this.â
âNot many of us venture to the gates, as they are usually closed,â Straoc says, taking it all in. âNot many of us ever see how beautiful it is from this same perspective, how perfect.â He pauses, takes a breath. âBut soon that will change.â
I think of the lake behind us, the portal back to the Cave. It sounds to me like Straocâs planning on bringing up some friends soon. Not sure thatâs a good thing.
âHow many people live here?â Jo asks, rubbing at her wrists. The ropeâs burning my skin too.
âSeveral tens of thousands,â Straoc replies, pride in his voice.
âWhatâs that?â Rob says, pointing with his bound hands beyond the city. Capian sits in more of a bowl than a valley, a crater almost, with the massive wall snug against the surrounding hill, like a crown. Itâs divided in half by a wide boulevard, the only open space in the entire city. At the far end of the boulevard, above the city, is a mountain, lit brightly by the shine of the buildings below. It shoots straight up, as steep as one of the towers, but