her back       [afterwards, in the bathroom,
she uses her cousinâs eyelash curler]Â Â Â Â Â Â How could she
learn their careful walk      the way they      move their heads
slight/left      She is 10      one of the youngest known
saviors      itâs better now      Before today,
it was so tedious:      blood is blood       and
she was never      one of them         [that was
before today]      before she learned      the language
from Redivider
BRUCE BOND
The Unfinished Slave
after Michelangelo
The man we see writhing in the marble,
what is he without the strength of all
we do not see. A slave, we are told,
though to what: the rock, the king, the world
that, cut or uncut, we canât remember.
To be distinct, chiseled as a number
across a grave, that was his dream once.
If only he could shake the rough stone
from his back, instead of being one.
Or if he stood naked before the tomb
he was meant to guard, perhaps then
he would wear a godâs glass complexion.
As is, he is abstract, and so closer
to us, to the life that makes a future
the anticipated past, our heads half
buried, blind, disfigured by the stuff
to which we owe our restlessness, our art.
The hand that carves its figure in the slate
abandons it, thinking it will lie
beneath its work some day, beneath a sky
that refuses to commit, to lift.
Itâs in there somewhere, whateverâs left
of those who drive a hammer into us.
With every blow, a little bloom of dust
flies. Time keeps its promise to itself.
from The Antioch Review
TRACI BRIMHALL
Dear Thanatos,
I did what you told me to,
wore antlers and the mask, danced
in the untilled field, but the promised
ladder never dropped from the sky.
In the burned house strays ate bats
on the attic floor, and trotted out
into the dark with wings in their mouths.
I found the wedding dress unharmed,
my baby teeth sewn to the cuff.
Thereâs a deer in the woman, a moth
in the chimney, a mote in Godâs one good eye.
The fire is on the table now, the bear is in
the cradle now, and the baby is gone.
Sheâs the box of bones under the bed,
the stitches in your lip, the moon and the hollow
in the geode, in peaches heavy with June.
If I enter the river I must learn how to swim.
If a wolfâs ribs are bigger than a manâs,
and if the dead float, then I am the witchâs
second heart, and I am the sea in the boat.
from FIELD
JERICHO BROWN
Hustle
They lie like stones and dare not shift. Even asleep, everyone hears in prison.
Dwayne Betts deserves more than this dry ink for his teenage years in prison.
In the film we keep watching, Nina takes Darius to a steppers ball.
Lovers hustle, slide, dip as if one of them has no brother in prison.
I dine with humans who think any book full of black characters is about race.
A book full of white characters examines insanity nearâbut never inâprison.
His whole family made a barricade of their bodies at the door to room 403.
He died without the man he wanted. What use is love at home or in prison?
We saw police pull sharks out of the water just to watch them not breathe.
A brother meets members of his family as he passes the mirrors in prison.
Sundays, I washed and dried her clothes after he threw them into the yard.
In the novel I love, Brownfield kills his wife, only gets seven years in prison.
I donât want to point my own sinful finger, so letâs use your clean one instead.
Some bright citizen reading this never considered a sonâs short hair in prison.
In our house lived three men with one name, and all three fought or ran.
I left Nelson Demery III for Jericho Brown, a name I earned in prison.
from The