from then on: denying the story of the Chilean girls, though
sometimes, for instance that night at L'Escale, when she said she
recognized in me the idiotic little snot-nose from ten years back, she
let something slip—an image, an allusion—that revealed she was in
fact the false Chilean girl of our adolescence.
We stayed at L'Escale until three in the morning, and though she
let me kiss and caress her, she didn't respond. She didn't move her
lips away when I touched them with mine but made no
corresponding movement, she allowed herself to be kissed but was
indifferent and, of course, she never opened her mouth to let me
swallow her saliva. Her body, too, seemed like an iceberg when my
hands caressed her waist, her shoulders, and paused at her hard
little breasts with erect nipples. She remained still, passive, resigned
to this effusiveness, like a queen accepting the homage of a vassal,
until, at last, noticing that my caresses were becoming bolder, she
casually pushed me away.
"This is my fourth declaration of love, Chilean girl," I said at the
door to the little hotel on Rue Gay Lussac. "Is the answer finally
yes?"
"We'll see." And she blew me a kiss and moved away. "Never lose
hope, good boy."
For the ten days that followed this encounter, Comrade Arlette
and I had something that resembled a honeymoon. We saw each
other every day and I went through all the cash I still had from Aunt
Alberta's money orders. I took her to the Louvre and the Jeu de
Paume, the Rodin Museum and the houses of Balzac and Victor
Hugo, the Cinematheque on Rue d'Ulm, a performance at the
National Popular Theater directed by Jean Vilar (we saw Chekhov's
Cefou de Platonov, in which Vilar himself played the protagonist),
and on Sunday we rode the train to Versailles, where, after visiting
the palace, we took a long walk in the woods and were caught in a
rainstorm and soaked to the skin. In those days anyone would have
taken us for lovers because we always held hands and I used any
excuse to kiss and caress her. She allowed me to do this, at times
amused, at other times indifferent, always putting an end to my
effusiveness with an impatient expression. "That's enough now,
Ricardito." On rare occasions she would take the initiative and
arrange or muss my hair with her hand or pass a slender finger
along my nose or mouth as if she wanted to smooth them, a caress
like that of an affectionate mistress with her poodle.
From the intimacy of those ten days I came to a conclusion:
Comrade Arlette didn't give a damn about politics in general or the
revolution in particular. Her membership in the Young Communists
and then in the MIR was probably a lie, not to mention her studies
at Catholic University. She not only never talked about political or
university subjects, but when I brought the conversation around to
that terrain, she didn't know what to say, was ignorant of the most
elementary things, and managed to change the subject very quickly.
It was evident she had obtained this guerrilla fighter's scholarship in
order to get out of Peru and travel around the world, something that
as a girl of very humble origins—that much was glaringly
obvious—she never could have done otherwise. But I didn't have the
courage to question her about any of this; I didn't want to put her on
the spot and force her to tell me another lie.
On the eighth day of our chaste honeymoon she agreed,
unexpectedly, to spend the night with me at the Hotel du Senat. It
was something I had asked for—had begged for—in vain, on all the
previous days. This time, she took the initiative.
"I'll go with you today, if you like," she said at night as we were
eating a couple of baguettes with Gruyere cheese (I didn't have the
money for a restaurant) in a bistrot on Rue de Tournon. My heart
raced as if I had just run a marathon.
After an awkward negotiation with the watchman at the Hotel du
Senat—"Pas de visites nocturnes a