returned from a visit to the town
where he had lived for many years
with the wife and in the marriage he was leaving.
His task was to walk through the house
and mark things of his for the movers
(he âd taken a job in another town)
and those of their common possessions
they had agreed he would take with him
into the new life. His wife had said,
âTake what you want,â and he understood
that she meant by this to say to him
that things were not the cause of her anger
or her hurt. His son, who was a senior
in high school, was also angry
and protective of his mother, who was,
after all, the one being abandoned.
L. understood that. He even thought
that his sonâs loyalty to his mother
was a good thing up to a point. The son,
when heâd heard the news, had acted as if
heâd been kicked in the stomach, then flared
and accused his father of selfishness,
of breaking up the family over personal feelings,
but he had also, like young men of his generation,
been raised a feminist and he had made himself
face the fact that, if his mother had a right
to her own life, like Nora in the Ibsen play
his drama class had performed the year before,
so did his father, and that he had to tell him so,
which he did, a week later, and on the phone,
a call L. would also associate with the unreal blue
of the mounded snow outside his new office
with its weather of another world. He arrived
on a Friday afternoon and stayed at a hotel
in the center of town. It was an odd sensation,
and not unpleasant, like the lightness
he had been feeling intermittently since
heâd left some months before, alongside
the heavy & incessant grief. He spent an hour
in his old gym, watching Iraqi women
in black shawls howling over their dead
on TV while he ran between two young women
on treadmills, and thought, as he often thought
those days, of the incommensurability
of kinds of suffering, and afterward,
he walked across the street to a shop
where he âd sometimes found interesting objects.
There was an old red Chinese dragon
in the window, spangled with yellow
and green, the paint chipped but unfaded,
some kind of water god, he thought,
or river god that saved you from drowning
or caused you to drown, he couldnât
remember which. on its face there was
an expression of glee, ferocious glee.
He considered buying it as a gift
for his son and decided it was not
a time to touch symbolism he didnât
understand. That night, as planned, he saw his son
in The Tempest . He âd sat alone near the back
of the theater and tried not to feel anything
except pleasure in the children and the play,
in which his sonâs girlfriend had the part of Miranda
to his Prospero. She was a gamin-faced girl,
wide-browed with ash blond hair, who more than a little
resembled L.âs wife (something they had both remarked,
amused, a year before) and who brought the house down
with Mirandaâs line. The audience, L. thought,
in a university town mostly knew it was coming,
but when she stood, flower-bedecked, center stage,
and lifted herself on tiptoe as she said it
in a slightly hoarse and boyish voice, the audience
howled with delight. Afterward they also murmured
audibly when his son, also center stage, adorable
and a little ludicrous in his wispy wizardâs beard,
intoned his line, held out a wooden wand between his hands,
and broke it with a loud snap to abjure the magic.
L.âs wife sat in the middle of the second row.
He watched her greet many of their casual friends,
colleagues, parents of their sonâs friends
heâd sat in the back to avoid having to greet.
Heâd brought flowers, and seeing that his wife had, too,
he decided to leave his under his seat. He waved
at his son, unbearded now and milling on stage
with the rest of the cast, gave him a thumbs up,
and drove his rental car back to the hotel.
In the morning, at ten, theyâd gone through
Susan Sontag, Victor Serge, Willard R. Trask
Robert Jordan, Brandon Sanderson