few bottles of nail varnish dried to black powder. He pretended Cleopatra had actually owned it and the vials of dark dust were poisons.
The highlight of the week came on Sunday evenings when the Antiques Roadshow aired. Uncle Tam locked the shop at 4:30, even when customers stood beseechingly at the door as he hung up the Closed sign. The partners’ devotion to the program was extreme and they had evolved certain rituals. The coffee table was cleared of magazines and bills that had accumulated during the week. Their notebooks and pens were set out. The drinks, according to season and affordable ingredients, were to be made in the jazz-age silver penguin shaker—drinks containing coconut milk were esteemed, but coconut milk was expensive and it usually came down to a six-pack of Bud split between them. The food was peanut butter sandwiches, or carrot sticks and cheap cheese, or, if they were flush, buffalo wings or cardboard containers of tripe stew from Chickee’s place.
Plastics rarely made it onto the Antiques Roadshow but when they did both men were beside themselves and scribbled in their notebooks. When a podgy Baltimore man displayed his pristine, bright red ABS Olivetti typewriter and red slip-on case from the 1960s they stamped their feet in jealousy and shouted angrily when the “expert” put a paltry value of a hundred dollars on it. Uncle Tam said that if he had the money, he would fly to Baltimore and make the man an offer, though the airfare, of course, would bump the cost into the stratosphere. In the end he resigned himself to a fruitless Denver search for a match of the beautiful instrument.
The Antiques Roadshow could have gone on for hours; they would have remained leaning forward in happy anticipation, assigning values before the experts could speak, eating the carrot sticks which curved as they dried. At the end of the program they were both restless and Bromo went into the Art Plastic room to dust and wipe. They talked about making the big discovery that would put them over the top, and, very often, filled with enthusiasm, they headed out for the evening flea markets, coming home at midnight with boxes of worthless oddities. The closest they came to the big time was a yellowed journal kept by one A. Jackson which Tam thought might be Andrew Jackson. But in the pages the loving references (which gradually cooled) to “Mr. Jackson” dulled their expectations as they puzzled out that “A.” was Amelia Jackson of Poultney, Vermont, one in the grand parade of emigrants from New England to the gold fields of California in 1850. The diary—simple observations of weather and dust and miles traversed—ended abruptly at the Independence Rock stopover. Amelia Jackson wrote:
Mr. Jackson has concluded to break from this wagon train in company with several other men who cannot agree with our guide, Mr. Murk. I am to stay with the wagon and we will meet in San Francisco if Our Savior wills it. The men will undertake a short cut to the gold fields. I cannot think this the best plan. I would give a very great deal to be at home with mother and father and my dear sisters, in peace and harmony and with PLENTY of water in the cistern.
They managed to sell the journal for a few hundred dollars to the Pioneer Historical Library in Independence, Missouri, and Bromo said sourly that if it had been an Andrew Jackson journal they could have retired.
As the years went on Bob noticed that Bromo Redpoll was less keen on the antiques program than his uncle. He was increasingly derisive about Tiffany lamp shades and old journals. He would get up halfway through the hour, say “Call me if the Kenos come on” and go into the kitchen to poke through the refrigerator, for the only part of the show that seemed to interest him now was the appearance of the Keno twins from New York, experts on American furniture. Bob thought the Kenos looked like animated waxworks but their clothes were fascinating. The word “natty”