That Old Ace in the Hole Read Online Free PDF

apartment a cramped hole and Uncle Tam something of an idiot, nice but quite dumb.
    “He’s vague, you know? Not with it, is he?”
    It was neither sorrow nor relief that he felt when she told him they had to break up.
    “I’m not going with you anymore,” she said. “There’s another guy.”
    Soon enough he learned the other guy was Kevin Alk, a nearsighted math freak with an acned face and greasy hair that held the tracks of his comb.
    “Good luck,” he said politely, but privately his thought was that Marisa and Kevin Alk deserved each other. As for himself, Marisa’s interest in him and then her lack of interest pointed up how unimportant he was to her. Only Uncle Tam counted some value in him, but what that value was Bob didn’t know. Nothing more than kinship he supposed and maybe a sense of obligation to his lost sister.
    The apartment had a particular smell, an effluvium that came up from the shop below—dust-choked carving, musty upholstery, the bitter out-gas of celluloid and Bakelite, the maritime odor of ancient fish glue. The stairway up from the shop was narrow and crooked, the walls papered with some odd 1940s pattern of yellow trellis hung with red teapots. Upstairs, at the midpoint of the hall’s length, hung engravings and pictures that had come in with loads of junk and taken Uncle Tam’s fancy. One showed fifty great rivers of the earth arranged as dangling strings and graded as to length, and the opposing corner illustrated a crush of mountain peaks, lined up from the smallest to the greatest, giving the impression of a fabulous and terrific range that existed nowhere in reality. Yet for years Bob believed that in some distant land hundreds of inverted ice-cream cone mountains gave way to an immeasurable plain cut by fifty rivers running parallel to each other.
    “It’s not a real place,” said Bromo Redpoll. “You dunce. It’s only for the sake of comparison.”

    The shop dealt in a wide variety of American junk but its specialty was plastic, and their mutual interest in resin and polymer objects joined the two men as twinned cherries on the stem. Uncle Tam could talk plastic manufacturing for hours, and had signed up for a course in chemistry the better to understand the complex processes.
    There was a room in the shop—the best room—where nothing was for sale to the ordinary customer. A sign on the door said

    ART PLASTIC
    By Appointment Only

    “One day,” Uncle Tam said, “probably not in our lifetime, but maybe in yours, Bob, people will collect plastic objects from the twentieth century as art, like now they are going after wooden grain cradles and windmill weights. This will be worth a fortune,” he said, waving grandly at the shelves and cases of Lucite bracelets, acrylic vases, Bakelite radios, polyethylene water pitchers. On floor pedestals, as if sculptures, stood plastic washing-machine agitators, black and white. The partners’ scavenging hunts ranged from outlying yard sales to periodic rakes through the shops of Antique Row on Broadway where they foraged for baby rattles, ancient billiard balls, even celluloid bibs from nuns’ old-style habits.
    Within specialties there are often subsets of rarer specialties, and so it was with Bromo Redpoll and Tam Bapp. Bromo had collected a dozen phenol parasol handles with fancy metal bands. Tam sought out the British urea resin from the 1920s known as Beetleware—the forerunner of melamine. Silicone, polyurethane, epoxy were what they wanted but never would they buy anything for more than a few dollars. A side specialty was Bakelite jewelry from the 1920s. When Uncle Tam discovered, in the bottom of an old box of magazines, a Bakelite catalog from early in the century, both considered it a great find.
    There were dozens of dolls and toys in the Art Plastic room but Bob preferred the Cleopatra Manicure Box to any of them, a striking red-and-black Art Deco box packed inside with plastic-handled files and emery boards and a