but she was affected by the power which came from me, and this was proved before long. She had been telling me about these fictitious connections of her mother’s. I told her to be silent as I did not want her mouth to move. But after a while she exclaimed and made a groping gesture and then she slipped down on to the floor and her face was as white as her gown and her eyes were closed. I gave her some water, raising her head so she could drink, and I loosened the ribbon that held her gown together at the neck. Her eyes opened but they were not looking at anything and she began trying to sit up but she could not and made groping fumbling movements with her hands, then I suddenly saw that this feebleness was the result of my power that God had given me so I became excited at once and I began to kiss her. Her lips were cold. Her eyes were able now to look at things, they were on my face. I was myself unable to see properly because of the heat that had risen to my head. I lifted up her gown of the madonna and I was pulling her legs apart, they had no resistance, she gestured to me to wait I think to inspect her to see she was free from disease, the usual courtesy of whores, but I could not wait, I threw her back and mounted her at once her body was cold she cried out when I went into her – a cry of pain my lord – and I knew this was a certain sign from God that she had become a virgin again for me. After that we did it often. If she was cold that first time she was hot always afterwards, she was solis filia and calida if not callida . (You will remember the pun of Lipsius my lord.) Bianca had a gift for love. She was not clever, una cervellina , but she knew how to give pleasure. Always she would keep on her Madonna things because I wished it so. I never saw her naked when we fucked only when we washed each other afterwards from the bucket. And she took no money except for the time spent modelling.
All this was afterwards. I had started on the stone then, I had made those first cuts that are so terrible. It was a good piece, freshly quarried, free from flaws, with no hard outer skin. A block should be set up and carved according to the lines of its bed otherwise it will split and break off. But this was a fine piece. All that summer I laboured to release the form contained in the block. I worked nearly naked but still the sweat came off me. I used an iron point for removing the spawl you must keep a steady rhythm of striking with the point because this is less tiring also by a regular stroke your life is moving at the same pace as the life of the stone your thoughts keep exact pace with your material as God’s did when he made the world and that is why men can have some understanding of the nature of God as is explained in the writings of Origen. So therefore carving is rhythm my lord, no man can carve well who has no rhythm in his strokes either with point or claw.
The claw was no use for this hardest of stones. I used a granite axe, bouncing the blade on the surface of the stone, bruising the stone to give tooth for the chisel. Day after day striking at the stone. You must not cut too early with a fine tool, this closes the surface, takes life from the image. I would work with the sweat coming into my eyes and this tension of breaking the stone down to free the shape imprisoned within it because the stone resists it aspires to be itself always and this struggle I felt in my body through the shudder of the stone and the joy of it I discharged on her, on Bianca. She was there in her robes. I would feel my cock growing and this was a sin because I was shaping the Holy Virgin but I could not prevent it, the heat rose to my head, I could not see. My elements are not well mixed owing to the circumstances of my birth. I made her lie down with me in the dust of the floor.
So in this way the work went on and by the Feast of the Assumption of Our Lady I was within half a finger’s breadth of the final form and ready to begin
Maggie Ryan, Blushing Books