pointing him at the bag of King Edwards that sat waiting on the counter. By the time Teresa returned, a worn envelope in her hand, the sister had engaged Resnick in a discussion about New Labour and the pernicious spread of Social Democratic policies.
âWhen I read that Billy Bragg had torn up his party membership card,â she said, âI had to fight hard to restrain myself from doing the same.â She topped and tailed two washed carrots and chopped them into a pot simmering on the stove. âAfter all the work that young man put into the cause. You remember Red Wedge, Inspector, naturally?â
Resnick allowed that he might, though it was confused in his mind with Arthur Scargill and the minersâ strike. He knew if he got onto that subject with Sister Bonaventura, he would be there long enough not just to share supper, but to wash the pots as well.
âHere,â Teresa said, rescuing him. âAre these what youâre referring to, I wonder?â
These were a pair of photographs, Polaroids, both of the later Dalzeil painting, one clearly showing the surround of Miriam Johnsonâs wall. Sister Teresaâs name and address were on the envelope, the postmark too smudged to read.
âWhen did you get these?â Resnick asked.
âIt would have been early May, the seventh or the eighth perhaps.â
âAs if you didnât know,â Sister Bonaventura said.
Teresa ignored her.
Reflected in one of the photographs, Resnick could now see, was the blurred image of the man taking the pictureâJerzy Grabianski at work. Resnick remembered the camera they had discovered in his bag.
âWhy are you so interested in him?â Teresa asked. âI mean, why now?â
âTwo paintingsâthis and another by the same artistâtheyâve been stolen.â
âAnd you think Jerry â¦â
âI think itâs a strong possibility, donât you? Given his proclivities.â
âAs an art lover.â
âAs a thief.â
âYou didnât get very far with those potatoes,â Sister Bonaventura remarked.
âYou donât know for certain that it was him?â Teresa said.
Resnick shook his head.
âOf course. If you did there would be no need to be shilly-shallying here with me. Youâd have him somewhere under arrest. But since presumably all you have are suspicions, if he had been here and made contact with me that would beâwhat would you call it?âcircumstantial evidence.â
âIt might have helped to place him near the scene.â
âOf the crime,â Sister Bonaventura said.
âIt would be my duty, then,â Sister Teresa said a touch regretfully, âto help you if I could?â
âWhat is a crime,â said Sister Bonaventura, âis that these paintings were ever in private hands in the first place. They should be on public view, available to all and sundry. Not just the privileged few.â
âI donât see our friend Grabianski,â Resnick said, âas some artistic Robin Hood.â
âDonât you?â Teresa asked.
âMaidens in distress,â Sister Bonaventura said, now peeling the potatoes herself. âA different legend, surely.â
âI donât suppose youâve got a number for him? Any kind of current address?â asked Resnick.
Sister Teresa said that she did not.
âAh, well â¦â With a sigh, Resnick rose to his feet.
âYouâre not staying for supper, then?â Sister Bonaventura asked.
âMaybe some other time.â
Teresa escorted him to the door. âDo you need to borrow these?â she asked, glancing down at the envelope by her side. âIf theyâd be any help â¦â
âI donât think so. Not now, at least.â He looked at her handsome face, unflinching green eyes. âI doubt youâll be getting rid of them, throwing them away.â
When he turned back near the
Diane Gaston - A Lady of Notoriety (The Masquerade Club)