Resnick got to Hannahâs house a couple of hours later, the two women were sitting in the kitchen with the remains of a bottle of Chardonnay between them, plates pushed to one side.
âCharlie, sorry, weâve already eaten. I wasnât sure if you were coming or not.â
âI should have called. Let you know.â
âNo. No.â
Resnick glanced across from Hannah to Jane, the patches beneath Janeâs eyes suggesting she had been crying.
âI should go,â Jane said, pushing back her chair.
âThereâs no need,â Resnick said. âNot on my account.â
Jane banged her hip hard against the table and stifled a cry.
âAre you all right?â Hannah asked.
âUum. Yes.â
âYou werenât thinking of driving?â Resnick said, giving the bottle a meaningful glance.
âI was.â
âIâll make coffee,â Hannah said, getting to her feet. âCharlie, coffee?â
âThanks.â
âJane, why donât you take Charlie into the other room? Tell him about your day school. You might be able to persuade him to come along. Represent the male point of view.â
Resnick was looking at her carefully, uncertain from her tone how ironic she was being.
He found bits and pieces in the back of Hannahâs fridge: a jar of black olive paste, three anchovies at the bottom of a foil-wrapped can, feta cheese; in a wooden bowl on the side were two sorry tomatoes and a small red onion. The bread bin yielded a four-inch length of baguette which, when he took the knife to it, shed crust like brittle paint. Five minutes later, he was sitting with a can of Kronenbourg and his sandwich and chewing thoughtfully, while Hannah made the last of her notes on Carol Ann Duffyâs dramatic monologues, and music played in the background, light and pleasantly soporific.
âYou staying, Charlie?â
âIf thatâs okay.â
Hannah grinned at him and shook her head.
âDonât take things for granted, that was what you said. Donât take you for granted.â
âYou donât,â Hannah said.
âGood. Iâm glad.â
âOh, Charlie â¦â
âWhat?â
She let her copy of the book slide through her fingers as she reached for him along the settee on which they were both sitting. Her cheek was cool against his mouth, her hand warm against his neck.
âWhat?â he said again, but by then she was kissing him and neither of them said a great deal more, not even is the back door locked or is it time for bed?
They had not been together long enough for familiarity to determine the when and how of making love. Sometimesâmost oftenâtheir first movements would be gradual: slow, generally cautious kisses and manipulations; then, in the quickening of arousal, it was generally Hannah who rose over him, hips swiveling down, eyes closed, Resnickâs hands or her own pressed hard against her breasts.
Later she would cry out, knees locked fast against his ribs, a cry that filled Resnick with a kind of aimless pride, even as it scared him with its abandon, its closeness to despair.
No longer inside her, he would fold himself around her, touch the roundness of her calf, the inside of her thigh; pliant, the sticky swell of her belly, fall of her breast against his palm; Resnickâs mouth against her hair.
Leaning back against him, comforted by his size, the bulk of him, Hannah closed her eyes.
Resnick had slept and woken again. From the top of the chest of drawers, Hannahâs clock told him it was shortly after one-thirty. He considered the possibility of sliding from the bed without disturbing her and going back to his own home. Why? Why would he do that? Was he still not really comfortable here?
He had almost reached the bedroom door when Hannah stirred and, waking, called his name.
âYouâre not leaving?â
âNo.â He pointed to the stairs. âA glass of