because Jenny is one of those people for whom every day, everything is a grand adventure. âIâm starting boarding school here for my last two years of high school, but my French is terrible. Maybe you can tutor me?â
A flutter of the lashes, a soft hand on my arm, and I was hooked on her for the next six months. I must have been a great teacher too. Her French became so impressive she was able to hit it off in one night with the young French sculptor Christophe, who spoke no English.
Câest la vie.
But now there is a new girl, a painted one. I want to know more about her, and I canât exactly look her up on Facebook. âI need to do some research on a house. An address. I want to see how long itâs been in someoneâs family,â I say to Simon.
âAh, thinking of going into the burglary business, are you? Now
that
Iâm going to want a piece of.â
âYou want a piece of everything, Simon.â
âSo whatâs it for?â
âAn artist I want to check out. Do you still know that hot chick who works at the Société?â
He speaks in a low voice as we cross the river. âCorinne. Of course. But donât say that so loudly. I donât want anyone to know about my geek side, hanging out in archives and whatnot.â
âRight. With hot chicks. So geeky.â
âSo tell me youâve thought of something incredibly adventuresome I can do with Lucy tonight? Sheâs bringing Emilie along, so youâre coming too, and I wonât take no for an answer.â
ââNoâ? What is that? Oh, right. Itâs a word youâre not familiar with. Anyway, Iâm going to a party tonight,â I say, then tell Simon about Bonheur and his familyâs house full of oddities. Simon nods approvingly.
âI knew I could count on you for this.â
âI have mad skills plotting your social life.â
We arrive at the Grand Palais, an absolutely massive exhibition hall with a glass vaulted roof. Many steps lead up to an imposing entryway with tall brass doors. A security guard tells us the palace is closing in fifteen minutes, which translates to
go away now.
âFifteen minutes before closing might as well be closed. And itâs a Friday. No one works late here,â I say to Simon.
âDonât worry. Itâs cool,â Simon says and we take the stairs quickly, then head down a long hallway to a room marked SOCIÃTÃ DES ARTISTES. âCorinne loves me because I make her laugh.â
âWhat with your history-geek side and all.â
Simon introduces me to Corinne, who is packing up. Sheâs about twenty-one or twenty-two, has short red hair and muted green eyes. She is, as promised, totally hot. Simon explains I need to look up an artist.
âThatâs why everyone is here. To look up an artist,â she says as she jams her phone into a gray purse. She doesnât look like sheâs going to laugh at all.
âCan you give him a few minutes? Pretty please.â He places his palms together plaintively. âBesides, I really wanted your opinion on whether you think it would have made a big difference or a little difference if Jean Valjean had had a smartphone when he was down in the sewers?â
He bats his eyes, and she laughs instantly. âLittle difference,â she declares with a smile. âBut you wait right here and Iâll tell you why.â
Simon dutifully sits on the edge of her desk, and I shoot him a quick thumbs-up. Corinne takes me to the slate cabinets that hold the records for 1894. Thatâs when Valadon was admitted to art school, thatâs when she would have joined the Société as well. Corinne takes out the register, an old heavy book, the kind youâd find in a hotel with a guest list.
âBe careful,â she instructs, and she leaves me alone at a desk with the dusty book. I cough as specks of the years gone by float into my nose. I