laugh. I move on to California drawl. âThat and the tiniest bit of knowledge about ballet. But really, secrets. So tell me yours.â
âI havenât told anyone yet, but Iâm auditioning for the ballet next week.â Emilie pushes a hand through her black hair that is straight as a blade and dark as the steel edge of the night.
âThe Paris Ballet?â
âThe one and only.â
âI thought you were in high school. With Lucy.â
âI am.â Emilie looks side to side, as if she is sweeping the square for spies, before she whispers, âBut I got an audition for this newsummer program for high school students who are supposed to be promising or something.â
âThatâs amazing.â
âDonât tell anyone, though. Because there is
no way
Iâm getting in, and then all my friends are going to be disappointed. Iâm not good enough.â Emilieâs green eyes look defeated, and I hear music again. This time itâs the faint sounds of
Giselle.
I turn to look at the choir and theyâre still singing, so the music must be coming from an apartment close by, drifting out an open window into the early June night.
âI seriously doubt the Paris Ballet gives auditions to dancers who arenât good enough.â
âIâm sure it was totally a mistake that they let me even try out,â she says with a forced laugh, and the music grows louder, as if the notes are swirling around Emilie, wrapping her in a cocoon of sweet sound.
âOh, right. Of course. Just a little error the Paris Ballet made when sending out invites. Emilie, I suspect youâre fantastic,â I say, because she has to be. Thereâs just no other way.
The violins from
Giselle
keep playing. âIs your iPod still on?â
She shows me her iPod. âSee? Off. Why?â
Great. Iâm not only seeing things, now Iâm hearing things too. âI heard
Giselle.
â
Her eyes widen. âYou heard
Giselle
?â
I nod, feeling like a supreme idiot. I should know better than to let on that Iâm hearing music no oneâs playing.
âWhere is it coming from?â
âI donât know,â I say, because how do I say,
Itâs kind of coming from you, and itâs growing stronger?
âThatâs my audition piece, Julien,â she whispers.
â
Giselle
?â
She nods knowingly, holding another secret between us, and as she does an image flashes fully formed before my eyesâI can picture Emilie dancing on the stage of the Paris Opera House in front of thousands of people in their red upholstered chairs underneath the six-ton candelabra. The rising sounds of the ballet build toward a gorgeous finale, a dancer pirouetting, her head tipped back, giving in to the dance, giving in with abandon.
âYouâre going to blow them away, Emilie,â I say, and I feel deeply compelled to tell her this, to share my certainty. âYouâre going to win a spot. I have no doubt you will be the newest member of the Paris Ballet next week.â Once the words have been spoken, the music stops.
Emilie beams, the warmest smile Iâve ever seen. Weâre joined by Simon, Lucy, and a waiter bringing espressos. I thank him, and as he walks away, Lucy models a skirt with cheeseburger drawings on it.
âJust bought it. Isnât this the best?â Lucy gives a flamboyant twirl, then settles into a chair. It strikes me as funny that the non-dancer girl is the one bold enough to execute a 360 in a public square. Lucy seems to posses a natural showmanship, from the twirl to the skirt to the long brown hair with emerald streaks that frame her face.
âI think I want a shirt with french fries to go with it,â Simonsays. He takes a long swallow from his cup, as Lucy tells us her cheeseburger obsession stemmed from the year she lived in Chicago when she made it a mission to taste test the American favorite at nearly every