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through the downloaded dossier. The file included several images of Judith’s paintings, both the ones she’d painted before she left Paris, and the ones she’d painted after. The moment his gaze touched the first painting he felt a hard one-two punch to his gut. Her drive and passion literally robbed his lungs of air. He couldn’t take his eyes from the series, studying each painting carefully. They were intriguing and beautiful, deep, three-dimensional colors, amazing lines, all passion and fire. Her drive and passion.
    “There you are,” he whispered. “I see you.”
    She poured herself into the painting, holding nothing back, breathing life into her work so that every seascape, every tree, cloud or bush had movement and sang or sobbed. Color was a musical instrument in her hand, wielded by an expert, her courage astounding. She understood colors and their meaning. She drew her strokes like caresses, both bold and shy, sensual and innocent. She was a seductress with her colors, a dream within reach, yet unattainable.
    Stefan ran both hands through his hair. She was out there for the entire world to see. She had bared her soul in these paintings. God, she was breathtaking. He felt his body stir, a shock beyond imagining. He was always in command of himself, physically and mentally. He’d been trained since he was a child. His body came to life at his command and performed when and where he needed it to. What the hell was this woman doing to him with her paintings and her photographs?
    There was more of the real woman in the paintings than in the mysterious photograph he’d stolen from the crime lord. She’d hidden herself, drawn inward, held herself aloof from the world, but here, in every bold stroke he could see her fire and passion.
    Stefan forced himself to move on. Her time with Jean-Claude was well documented. The rumors about La Roux had begun to surface and there were a few pictures of a younger Judith smiling up at Jean-Claude, wearing happiness like a second skin in all the surveillance photos. His reaction to seeing the crime lord with her was primeval, visceral, even animalistic. He wanted to kill the man with his bare hands. He flexed his fingers and slowed his breathing, pushing all emotion from his mind.
    Stefan studied Jean-Claude’s expression. The arm around Judith’s narrow waist was possessive, as was his expression, but there was something more. If a man like La Roux was capable of love, it was there. Whatever it was, maybe obsession—and Stefan was beginning to understand the word—the look on Jean-Claude’s face as he stared down at the laughing Judith, said it all. He would pay any price to keep her. For certain, if the man eluded the other agents, he would be going to Sea Haven to collect whatever he thought of as his—and that included Judith.
    Stefan read the file carefully, committing it to memory before examining the few photographs of Judith’s work after her escape from La Roux. Each painting was good, no doubt about it, but her later work was far different from her originals. She was very restrained, showing the absolute beauty of the piece she worked on. Flawless color schemes, bold, courageous strokes, but for him, the painting themselves were flat. They were still beautiful, but she—Judith, the essence of the woman—wasn’t there anymore. All her passion and fire was restrained, gone, replaced by a mask that was good, brilliant even, but not real.
    “Too late to cover up now. I see you,” he whispered again. “I’m coming for you.”
    He pressed his fingers hard just over his eyes where a headache was beginning. Damn it all. He didn’t want another life. He didn’t dream about another life. He played the cards dealt to him like the automaton he’d taught himself to become. He didn’t feel. He didn’t even want to feel. He no longer thought about his parents and how, in the darkness of his homeland, guns had been put to his mother’s and father’s heads and