concentrating all the time on the islands of the Pacific, but in the end I had to give it up. I just couldnât find it. Nor could I identify the proofs, which were printed in black on thick paperand showed what looked like a seal in a rectangular frame and also the frame separately.
It was not until Sunday evening that I was finally able to contact Tubby Sawyer. He had been north along the coast as far as the Deben estuary for a few days, and I called across, inviting him over for a drink, as he drifted up on the tide to his moorings. He was a short, stout man with blue seamanâs eyes in a round, babyish face, and coming alongside in his tiny plastic dinghy, he looked like a frog balanced precariously in the cup of a waterlily. âAnd to what do I owe the doubtful pleasure of being offered a gin on your old Folkboat?â he asked, squeezing himself in through the hatch and lowering his heavy bottom into the space at the head of the only berth. He wore a tattered blue sweater, oily jeans, and his bare toes were poking out of his salt-stiff deck shoes. âFirst time this season.â He grinned at me, leaning frayed woollen elbows on the makeshift table. âThere must be a catch in it.â
âThere is,â I said. âI want you to value some stamps for me.â
âFree of charge, I suppose.â
âOf course.â And I explained about Miss Hollandâs circumstances as I poured him his pink gin.
âAny particular period?â
âVictorian, most of them.â I gave him his drink and put the albums down in front of him. âSee what you think. Thereâs one I havenât been able to identify, and where thereâs just one stamp to the page like that, it makes them look important even if they arenât.â
He sat there for a moment gazing at the wornleather covers with their gilt fastenings. These are the sort of albums Victorian ladies used for drawing miniatures, writing poems, pressing flower collections, that sort of thing.â
I poured myself a drink and watched him as he opened first one, then the other, leafing quickly through the loose pages. âYouâre right about the period, anyway. The end of Queen Victoriaâs reign, most of them stamps in issue in the late eighteen hundreds, and all of them stuck down tight.â He shook his head sadly. âStill, itâs probably better than if they were hinged with gummed strips from the sheet margin, a very common practice in those days.â He turned to the island album and began going through it slowly, page by page, until he came to the blue stamp with LM C L below the ship. He paused there and sipped his drink. âThis the one you couldnât identify?â And when I nodded, he said, âTry Trinidad. The âLady McLeodâ. Its value may surprise you.â
I sat down on the berth opposite him, watching his face, which was lit by the evening sun slanting in through the open hatch. He was turning the pages again, and I couldnât be sure from his expression whether the stamp would put the collection beyond my reach. He came to the end and lit a cigarette, leaning back, his eyes half closed. âWell?â I asked.
âDonât be so impatient. I havenât finished yet.â He smiled. âBut itâs interesting â very. Iâll tell you why in a minute.â And he leaned forward again and began working his way through the second volume. It was so quiet on board I could hear the ticking of the shipâsclock and the gurgle of the tide making against the bows. And then, when he came to the proofs, he held the two loose leaves up to catch the light, peering at them closely. âDo you use a magnifying glass when youâre charting?â
âYes, do you want it?â
âPlease.â
I found it for him, and he went over those last two pages again, examining the proofs through the glass. âKnow anything about the person who put
Krystal Shannan, Camryn Rhys