guessed I was in for one of his lectures. He loved giving tongue on the printing of stamps, and though he could be very interesting on the subject, he always talked as though the other person knew nothing at all about it. âPerkins Bacon now. They produced the Penny Blacks of 1840, all ourearly stamps, the Penny Reds and Twopenny Blues. Then De La Rue took over, printing by the letterpress process â surface printing. Not nearly as attractive, and the colours harder. So anybody collecting stamps in the ordinary way at the turn of the century would almost certainly have included some of the early line-engraved GBs.â He picked up his glass, which was empty, and held it out to me. âWhile youâre pouring another drink, you might fill me in on the background, or didnât you ask her?â
âAbout the man who made the collection?â
He nodded. âCarlos Holland. Was that his name? Itâs on the flyleaf of each album.â
âWhy do you want to know about him?â I asked. âIt canât make any difference to the value of the stamps surely.â
âIâm curious, thatâs all. This isnât an ordinary collection. I think he put it together because he was exploring design possibilities before ordering stamps he required for his own official use. He was probably a colonial governor, somebody like that.â
âAnd the die proofs at the end represent the design of his choice, is that what youâre saying?â
âYes, thatâs about it.â
âWell, I can tell you this, he wasnât a colonial governor.â I reached for the gin bottle and the Angostura. âBut youâre right about the name.â And I passed on to him what little I had been told about Carlos Holland.
âSo the ship was a total loss. It went down with all hands.â
âThatâs what I understand.â
âThen he couldnât have had this collection with him at the time. If he had, it would be at the bottom of the sea. So how did it come into Miss Hollandâs possession?â
âAs I understand it, the albums were among her brotherâs things when he was invalided home.â
âHow did he come by them?â
âIâve no idea.â
âDidnât you ask her?â
âNo.â
âVery odd,â he murmured, shaking his head. âThis man Carlos Holland leaves a collection of carvings with his brother, but not the stamps. And then, somewhere on his way out to the Pacific, at some port of call, he suddenly decides to leave these albums ashore. And thereâs something else,â he said, gazing abstractedly at the albums. âWhat about the sheets?â
âSheets?â
âYes, the sheets,â he said almost irritably. âThe printed sheets of the final stamp.â He looked up at me over his tumbler. âYou say he owned some schooners and came back to England to add a steamship to his fleet. That suggests he required stamps for the franking of mail carried in his vessels. So where are the sheets?â
âPresumably at the bottom of the sea.â
He nodded, but I could see he was not wholly convinced. âVery odd,â he said again. âAnd the design ⦠I can only recall having seen two ship stamps, and like the âLady McLeodâ stamp, they both carried the picture of the ship. This stamp doesnât; thepicture enclosed in the frame is of a seal. Doesnât that strike you as odd?â
The collection includes quite a few stamps with ships on them.â
âExactly. And he chooses a seal as his emblem. Seals donât swim around coral reefs in the warm waters of the South Pacific. Not the grey or Atlantic seal, which I think this is.â He gave a little sigh. âPity the girl isnât here to answer a few questions.â
âI donât think sheâd be able to help you. She didnât seem to know very much about the stamps. All she said
Robert & Lustbader Ludlum