âA joey is a baby kangaroo.â
âIâve never heard that word before.â
âHow do you like it?â I know he means the word joey , but it also feels like a bigger questionâlike he wants to know if I like being here with him.
âI like it. A lot.â
Mick takes off his fedora and rubs his forehead. When he catches me watching him, he puts the fedora back on.
I think itâs cute that heâs self-conscious about his hairline.
Mick says he understands what things must have been like for me. He was seventeen when his father died of a heart attack. Mick says that before he got into directing, when he was in acting school in Melbourne, he used to summon up the grief he felt after his fatherâs death.
âI used that griefâthat sense Iâd been abandoned. I found a way to transform it into something else. Youâll do that too, Iris. Youâve already begun doing it.â
When Mick says that, itâs as if something buried inside me starts to come to life again. Thereâs a stirring in my chest. Iâve felt the same way as Mickâabandoned. Why hasnât my father tried to stay in touch with me all these years? Can he have forgotten his own daughterâs existence?
I want Mick to know how much what heâs just said matters to me, so I say, âI guess I always felt kind of sorry for myself. For not knowing my father the way other kâ â I stop myself from saying kids . I donât want Mick to think of me that way. âThe way other people do. What you just saidâ¦it really means a lot. It makes me think that, in a way, the stuff Iâve gone through has had a purpose. Maybe I can summon that griefâ¦that sense of being abandonedâ¦and transform it into something else.â Itâs only after I say those words that I realize theyâre the very same ones Mick just used. He doesnât seem to think thatâs a bad thing. He just nods and smiles, as if Iâve said something really deep.
âYou know what, Iris?â he says when we finally get up to leave the café. âBeing with you makes me feel everything is possible.â He takes my hand, then lets it go, as if heâs changed his mind and decided that holding my hand isnât the best idea. âYou make me feel like a kid again.â I can still feel the cool dry touch of his fingers. I want him to hold my hand and not let go this time.
âYouâre not old, Mick,â I say, dropping my voice.
âI feel old. Compared to you.â
Except for two worry linesâsmall train tracksâover the bridge of his nose, Mickâs face is smooth. Only his hairline and his eyes hint that heâs a lot older than me. When I look into his eyes, I can feel heâs been through a lot. Felt a lot. Seeing that makes me feel closer to him. Is this what falling in love feels like? I know Iâve never felt this way around Tommy.
âHow old do you think I am?â Now Mickâs tone is playful, teasing.
Iâve never been good at guessing anyoneâs age. I donât want to say the wrong thing. âWell, youâve got a kid. So you must be at leastâ¦I donât knowâ¦â I do the math in my head. âTwenty-two.â
My guess makes Mick laugh. âTwenty-two? That would be sweet.â But he doesnât say how old he is.
âI could take the metro,â I tell Mick when he offers again to drive me home.
Mick insists. Heâs staying in a furnished loft in an apartment building a few blocks from where Mom and I live. Heâs also rented a Jeep with a camo paint job. He comes over to my side to help me step up into it. Again, he takes my hand, but only for a few seconds.
Maybe driving super slow is another Aussie thing. The closer he gets to my street, the more slowly Mick goes. The Jeep has a stick shift, so he needs both hands to drive. âDo you drive a Jeep in Melbourne