one of the drawings. She was frowning. âThereâs something about . . .â She looked up, her eyes going from Walter Lee to Dwight. âIt . . . was nothing important. Iâll ask you in the morning.â
Walter Lee was sitting in the menâs washroom polishing the shoes the passengers had left for him to shine, when the brakes screeched and the train jerked. He was thrown from his chair as the train came to a stop.
Lord, they must have hit something on the track.
He jumped up and grabbed his jacket.
In the corridor, the doors were opening, passengers asking what had happened. He went down the line, calming them down and making sure everyone was all right. Then he hurried toward the door separating the sleeping quarters from the lounge. He needed to find the conductor.
He didnât have far to go. Mick OâMalley was in the lounge, his solid two hundred pounds of muscle planted between two men, Zach Garfield and Rubyâs friend, Johnny.
She was there in a chair.
âYou killed her, you nigger bastard!â
Zach Garfield was standing with his back pressed to the wall, his eyes dark and wide against skin that looked chalky. âI didnât. God, I told you I didnât!â
Mick OâMalleyâs hand held Johnny back, as he tried to rush at Zach.
âI saw how you were looking at her when we got on the train!â Johnny said, his fists clenched, his face red.
Walter Lee pulled his gaze from the men and looked down at the woman slumped sideways in the armchair. She was still beautiful. But she wasnât laughing anymore. A knifeâa large kitchen knifeâwas sticking out of her chest.
Help us, Jesus, Walter Lee thought.
âTalk fast,â Mick OâMalley said to Zach.
âI told him what happened,â Zach said, his voice shaking. âI heard a noise, and I came to see what it was. And I found her like that.â
âYouâre lying!â Johnny said.
âWeâll hold him for the police,â Mick OâMalley said. âUntil we get to Chicago. Iâll not have a lynch mob on my train.â
His words were as much for the passengers that had began to crowd into the room as for Johnny. They were mumbling. Staring from Ruby dead there in the chair to Zach with his back against the wall.
âIâm going to lock him up in the storeroom in the kitchen,â OâMalley told the passengers. âIâll put a guard on the door.â Then, to Walter Lee, âThis man here . . .â he gestured with a nod at Johnny. âPulled the emergency brake to signal for help. Weâll be back under way in a few minutes.â
âYes, sir,â Walter Lee said.
He turned to the passengers behind him. âLadies and gentlemen, we . . . thereâs nothing you can do here. If you would please go back to your roomsââ
âDonât you be telling us where to go, nigger,â a manâs voice said from the crowd.
âThen Iâll tell you,â Mick OâMalley said. âGet back to your rooms and stay there.â
They went back with curses from the men and wails of fear from the women. Walter Lee thought he heard the preacher asking the Lordâs assistance.
Heâd be willing to bet that they all were locking their doors and would keep them locked until the next station. They wouldnât be ringing for their colored porter tonight.
And that was good because he had some thinking to do.
Walter Lee wondered in passing what instructions Mick OâMalley would give to the kitchen crew. Would he lock them up somewhere too, to make sure none of them tried to let Zach free? Or would he trust them?
Hard to tell what OâMalley was thinking right now. Heâd left Walter Lee in charge of his car. But by the time they got to Chicago, all the colored men who were in the vicinity might have gotten named in Rubyâs death. And, however, it came out for