Say You're Sorry

Say You're Sorry Read Online Free PDF Page A

Book: Say You're Sorry Read Online Free PDF
Author: Michael Robotham
spooning fried rice onto a plate.
    “When?”
    “Three nights ago.”
    I glance at the whiteboard, which has a photograph of a whitewashed farmhouse barely touched by fire. Snow was falling when the images were taken, giving them a sepia tone. A smudge of smoke rises from the roofline, etched hard against the white sky.
    “What do you want from me?”
    “I have a suspect in custody. He worked for the family. We found his prints in the house and he has burns to both his hands. He denies killing the couple and says he was trying to save them.”
    “You don’t believe him?”
    “This particular suspect has a history of mental illness. He’s on anti-psychotic medication. Right now he’s climbing the walls, talking to himself, scratching at his arms. Maybe he’s telling the truth. Maybe he’s lying. I can only hold him for twenty-two more hours. That’s how long I have to make a case.”
    “I still don’t understand—”
    “How should I treat him? How hard can I push? I don’t want some smart-arse defense lawyer claiming I put words in this lad’s mouth or browbeat him into confessing.”
    “A psychological assessment will take days.”
    “I’m not asking for his life story, just your impressions.”
    “Where are his clinical files?”
    “We can’t get access to them.”
    “Who is his psychiatrist?”
    “Dr. Victoria Naparstek.”
    The penny drops. I met Dr. Naparstek eighteen months ago at a mental health tribunal hearing that involved one of her patients. She called me an arrogant, condescending, misogynistic prick because I bullied her patient into showing his true personality. I got him to admit that he fantasized about following Dr. Naparstek home and raping her.
    Did I bully him? Yes. Did I overstep the boundaries? Absolutely, but the good doctor should have thanked me. Instead, she threatened to report me to the British Psychological Society and have me disciplined.
    Why would she recommend me for this case? Something doesn’t make sense.
    Drury is waiting for my decision. I glance at Charlie, wishing she were home.
    “OK, I’ll talk to your suspect, but first I want to see the crime scene.”
    “Why?”
    “Context.”

3
     
    T he Land Rover skids and fishtails through the slush, following a farm track towards a copse of skeletal trees that are guarding the ridge. The plowed fields are bathed in a strange yellow glow, as though the snow has soaked up the weak sunshine like a fluorescent watch-face before reflecting it back again as an eerie twilight.
    The eighteenth-century farmhouse seems to lean against the ridge, protected from the wind. Soot blackens the paintwork above the upstairs windows, like mascara on a teenage Goth.
    Released from the claustrophobic heat of the car, I feel the wind tug at my trouser cuffs and collar. Drury leads me across the lawn. He signs a clipboard and hands me a pair of surgical gloves.
    “The victims are Patricia Heyman, aged forty-two, and William Heyman, forty-five. Married. One child. Flora. She’s studying at one of the colleges in Oxford. Mrs. Heyman writes children’s books and the husband is a freelance editor. They bought the house three years ago. Both work from home.”
    “Any sign of forced entry?”
    “The front door was kicked in. Nothing was taken. We found four hundred pounds in a drawer beside the bed and William Heyman had his wallet in his pocket. That’s the problem with amateurs.”
    “Pardon?”
    “They panic and do stupid things. A professional thief wouldn’t leave a mess like this.”
    The DCI unlocks a padlock and pulls aside a sheet of plywood. Snow tumbles from the eaves. The inner hallway looks largely undisturbed. Glancing through double doors, I notice a sitting room with an inglenook fireplace and exposed oak beams. The dining room has a vaulted ceiling and another fireplace. Cast-iron. Fat-bellied. There is a faint smell in the air, a mixture of smoke, butane and bleach.
    Almost without thinking I’m collecting the
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