at it, but now, in front of this boy, it makes me feel incredibly lame.
I fumble to ignore the call. âMy mom,â I tell him. I donât know why. âSheâs checking in on me. I think sheâs nervous because Iâm in the city all by myself.â And then I laugh, but it sounds so uncomfortable, I close my mouth and decide never to speak again.
âInteresting,â he says, with a teasing sort of grin. âNo need to stress. Itâs just around the corner on your left.â
He hands over my coffee, and Iâm not sure what to do. Iâd really love to stay. But I really have to go.
He makes up my mind for me.
âMaybe Iâll see you around sometime,â he says. âAfter all, you know where I get my coffee in the morning. Thatâs practically like knowing where I live.â
I point to the intersection. âI guess that makes us neighbors,â I say, and take off, grinning. A cute boy was just interested in me. That never, ever happens in Cherry Grove. People know each other too well there, so much so that surprises never really happen.
As soon as I step into the crosswalk and glance to my right, I see the Philadelphia College of Fine Art, all massive and stone and old like a castle, occupying almost an entire city block. Itâs not what I imagined at all. When I had pictured a college, I thought about a big green lawn, kids outside playing Frisbee, a real campus. Itâs a bit jarring, seeing it sandwiched between the sleek architecture of the surrounding silvery skyscrapers.
A bunch of signs lead the way through a set of red wooden doors. I have to push on them a couple times before they open into a huge atrium, with a glass ceiling and three levels of catwalks running along the sides.
The noise inside is deafening. High school kids are everywhere, bright flashes of color and personality, meandering from registration table to registration table, filling out permission slips, getting their temporary IDs laminated, picking up the keys to their dorm rooms, and not-so-subtly sizing each other up. Rows and rows of metal folding chairs are set up in the middle of the atrium, facing a low stage and podium. The seats are almost all filled.
A few older kids â students who are actually enrolled in this college, I guess â stare down from the catwalks, underneath a big WELCOME PRE-COLLEGE STUDENTS banner, and laugh at the whole crazy scene.
And it is crazy.
Two boys in striped shirts like Bert and Ernie are hugging and crying. They look like they are mid-good-bye. One boy fishes a red marker out of his pocket and draws a heart inside the other boyâs palm. It makes them both cry harder.
Next to them, a chubby Asian girl with blue-black hair, dressed in a high-neck beige lace dress that looks incredibly out of season for the last week of June, allows her mom to wipe some tomato-y lipstick from the corners of her mouth with a tissue while she taps away on her mini video game player.
A couple of feet ahead, a tall boy with an asymmetrical haircut and swollen acne awkwardly navigates the crowd toting three canvases â one under each arm and one strapped to his back. He swats people with the corners, unintentionally branding them with touches of wet pink paint.
I take small steps backward until Iâm pressed against the wall. The place is crawling with the types of people you find huddled in groups of two or three at a typical high school. I donât see anyone here who looks like me, and that feels strange. There are always people like me around. We are everywhere.
A hand squeezes my shoulder. Itâs a slender lady wearing a white lab coat and carrying a clipboard marked STUDENT HEALTH SERVICES . She seems like a regular nurse, except for her orange Afro and the lei of hibiscus tattoos ringing her collarbone. âSweetie, do you have your schedule and your ID? Weâre about to get started.â
I shake my head. âI â my train