ââ
âDo you know who your roommate is?â
âNo. I mean, Iâm a commuter. Iâm not staying in the dorms.â
âBreathe. Breathe. Breathe,â she chants in a warm, friendly voice. âCome with me.â
I follow the nurse down through the crowds. She leads me to several tables, helps me get checked in, and fills my arms with even more papers and information. Iâm glad sheâs taking charge of the situation, because I canât seem to concentrate on anything. Thereâs too much to look at.
There are way more kids here than I expected, at least two hundred total. Everyone seems to have at least one creative detail on them, something that shows that they belong here. Iâm plain by comparison. Itâs embarrassing, how much effort it took for me to wear something that looks exactly like a blank piece of paper. No wonder no one makes eye contact with me.
Though itâs not like the other students are mingling all that much, either. Everyone seems cautious and careful around each other. The only people who are enjoying themselves are the parents. They talk and laugh in little groups, an Aha! look on their faces, like suddenly, in this context, their weird kids make sense.
âPlease take a seat, everyone, and weâll get you off to classes as soon as possible,â a low female voice booms out of a microphone I canât see from where Iâm standing.
âWhatâs your name?â a boy asks me from behind a table. Heâs wearing a T-shirt that says STAFF, and his black hair pokes out like carpet fringe from underneath a plaid yarmulke, covered in crudely sewn yellow lightning bolt patches.
âEmily Thompson.â A flashbulb pops in my face.
He thumbs through a file box. âOkay, hereâs your schedule, Emily. And hereâs your ID.â He hands me a stack of papers and a warm, plastic square. My eyes are closed in the picture, like Iâm sleeping. âGo ahead and find a seat.â
There are not many empty chairs. The ones that are vacant seem uncomfortably sandwiched between people who lean across them to whisper to each other. I get a hollow feeling in my chest. If I had gotten here earlier, maybe I would have met some people already.
Maybe.
I walk toward the back of the atrium and take the very last chair in the row. The section reserved for parents.
A short woman with stringy black hair and burgundy lipstick stands behind the podium on the stage. She beams a smile out into the crowd. Even from this distance, her teeth look gray and dull, like she is definitely a smoker. Of cigars.
âHello, students. My name is Dr. Tobin, and I am the Program Director of the Pre-College Summer Art Institute. I want to welcome you to Philadelphia and to six weeks filled with personal growth and artistic discovery!â Sheâs leaning in too close to the microphone, and her deep voice vibrates along my metal chair. âI want to begin by going over the housing rules for the summer for those of you staying in the dorms.â
The funny thing is, there are very few rules for her to go over. Obviously, no drugs or alcohol are allowed, but students who live in the dorms can come and go from the campus as they please until 1:00 a.m., when curfew begins. It sounds pretty good, considering the new strict summer curfew Momâs imposed.
I actually considered living on campus when Ms. Kay first gave me the brochure, but now Iâm glad I decided against it. The dorms donât have air-conditioning, and the beds are probably not nearly as comfortable as mine. And what would I actually do here all by myself at night? Iâd miss home too much.
Dr. Tobin asks everyone to look at their schedules. Mine is damp and wrinkled from being squeezed in my hand. I have Drawing on Tuesdays and Mixed Media on Thursdays. Those were my first-choice classes, which is pretty nice.
âClasses will run from nine until four-thirty Tuesdays