evening.’
After Graves had gone, Rivers sat for a while resting his eyes, then opened the envelope Graves had given him. Three sheets of paper. On the top sheet, dated the 22nd April, Sassoon had written in pencil, ‘I wrote these in hospital ten days after I was wounded.’
Groping along the tunnel in the gloom
He winked his tiny torch with whitening glare,
And bumped his helmet, sniffing the hateful air.
Tins, boxes, bottles, shapes too vague to know,
And once, the foul, hunched mattress from a bed;
And he exploring, fifty feet below
The rosy dusk of battle overhead.
He tripped and clutched the walls; saw someone lie
Humped and asleep, half-covered with a rug;
He stooped and gave the sleeper’s arm a tug.
‘I’m looking for headquarters.’ No reply.
‘Wake up, you sod!’ (For days he’d had no sleep.)
‘I want a guide along this cursed place.’
He aimed a kick at the unanswering heap;
And flashed his beam across that livid face
Horribly glaring up, whose eyes still wore
The agony that died ten days before
Whose bloody fingers clutched a hideous wound.
Gasping, he staggered onward till he found
Dawn’s ghost that filtered down a shafted stair,
To clammy creatures groping underground,
Hearing the boom of shells with muffled sound.
Then with the sweat of horror in his hair,
He climbed with darkness to the twilight air.
The General
‘Good morning, good morning!’ the General said
When we met him last week on our way to the line.
Now the soldiers he smiled at are most of ’em dead,
And we’re cursing his staff for incompetent swine.
‘He’s a cheery old card,’ muttered Harry to Jack
As they slogged up to Arras with rifle and pack.
• • •
But he did for them both with his plan of attack.
To the Warmongers
I’m back again from hell
With loathsome thoughts to sell;
Secrets of death to tell;
And horrors from the abyss.
Young faces bleared with blood,
Sucked down into the mud,
You shall hear things like this,
Till the tormented slain
Crawl round and once again,
With limbs that twist awry
Moan out their brutish pain,
As the fighters pass them by.
For you our battles shine
With triumph half-divine;
And the glory of the dead
Kindles in each proud eye.
But a curse is on my head,
That shall not be unsaid,
And the wounds in my heart are red,
For I have watched them die.
Rivers knew so little about poetry that he was almost embarrassed at the thought of having to comment on these. But then he reminded himself they’d been given to him as a therapist, not as a literary critic, and from that point of view they were certainly interesting, particularly the last.
Everything about the poem suggested that Sassoon’s attitude to his war experience had been the opposite of what one normally encountered. The typical patient, arriving at Craiglockhart, had usually been devoting considerable energy tothe task of forgetting whatever traumatic events had precipitated his neurosis. Even if the patient recognized that the attempt was hopeless, he had usually been encouraged to persist in it by friends, relatives, even by his previous medical advisers. The horrors he’d experienced, only partially repressed even by day, returned with redoubled force to haunt the nights, giving rise to that most characteristic symptom of war neurosis: the battle nightmare.
Rivers’s treatment sometimes consisted simply of encouraging the patient to abandon his hopeless attempt to forget, and advising him instead to spend some part of every day remembering. Neither brooding on the experience, nor trying to pretend it had never happened. Usually, within a week or two of the patient’s starting this treatment, the nightmares began to be less frequent and less terrifying.
Sassoon’s determination to remember might well account for his early and rapid recovery, though in his case it was motivated less by a desire to save his own sanity than by a determination to convince civilians that the war was mad. Writing the poems had obviously been
Jonathan Strahan; Lou Anders