too mad at Mama and Sheriff Tate both, but when Daddy tells the sheriff to wait a minute and he goes out to the garden to bring me a mum, a solid white mum with flecks of red splashed over it, I canât help but cry. Why, Daddy, why canât you do something about me going off with Sheriff Tate? Doesnât it even matter to you that Iâm going off with this noaccountsheriff that you just canât stand? Couldnât you even make a polite offer to ride down with me? Oh, I know you canât ride that far. But couldnât you at least appear, just out of care for me, to be concerned just a little bit?
Poor Daddy. I want so to put my arms around him and hold him to me, but I canât bring myself to do it. Daddy and me stopped hugging long ago, when I was about ten or eleven. It seemed he got to be too embarrassed, or I did one, I couldnât ever figure out which one of us it was. So, while Iâm longing something awful to reach out the door to hug him, I close the door between us like Iâm closing it forever, and I wave at him instead, my feelings all twisted up like long strands of rope reaching from here to eternity, having no beginning and no end.
âTake it easy, now,â Daddy says, as we start to pull out of the yard, and I canât tell if heâs talking to me about my crying, or if heâs talking to Sheriff Tate about his driving.
As we drive off I hate that I ever started in to crying, because when I start, it takes me forever to stop. I hate, too, that Sheriff Tate hasnât seen fit to take that little fencelike divider down over the back of his seat. Does he think Iâm dangerous? That Iâm going to come charging over the seat and try to attack him, like he did me in the graveyard?
The minute we hit the road he starts in. âWhere you been for the past few Sundays, Lizzy-buth? What you going off to Nathan for, a ni-i-ce girl like you? Huh?â And he laughs,evil-sounding. âI didnât know ni-i-ce girls went to Nathan, Lizzy-buth. I thought Nathan was just for crazy folks. Wild people. You not done and gone crazy now are you? Huh?â
Now I pretend the divider is solid concrete, so I can neither hear nor see him. Then I turn and look out the window at Littleton passing away. Since thereâs not much to it, it goes quickly, over and down a hill street, lined with white shoe-box houses, into the valley where lies the primary school, post office, the Frostee-Burg and the pants factory, and up another house-lined hill street, climaxed at the top with the white-steepled church.
âWhy donât you put that there flower in your hair, Lizzy-buth?â says Sheriff Tate. âItâd look mighty pretty, donât you think? Flowers look pretty on ni-i-ce girls. Especially ones like you.â
When he sees Iâm not striking up any conversation with him, he flips on the radio to WHEN, the station that plays that old whiny country music that I canât stand. Some country music man is moaning that heâs drowning in his beer âcause heâs thinking about his dear who said good-bye, and all he does is sit and cry. Itâs enough to make me stop crying, to think I might be sounding anything like him. Lord, if I have to listen to that stuff for three hours, I sure will be crazy by the time we get to Nathan.
3
. . . . . .
E ven though I donât like Sheriff Tate . . . no, thatâs too mild. But what can I say? âHateâ?
Hate?
Hate has never been in my vocabulary when it comes to people. At least I donât think it has. But thatâs what keeps coming to mind, yes, hate, yes, yes, yes, and yes, again, hate. Even though I hate, I repeat hate Sheriff Tate with a passion, for some reason I thought that when we got to Nathan he would walk into that hospital with me. If not because it was a law that he had to go with me, then at least heâd go out of some small bit of kindness in him. But no, he just stops in