you seen this knife before?â
Dullman said reluctantly, âI donât even know if itâs the same one.â
âGranted. But where did you see one like it?â
âIn that metal tool chest just outside. It was a big-bladed knife with a black-taped handle. From the look of this one Iâd say theyâre the same, but I canât swear to it.â
âWhen did you see it last?â
âI didnât see it âlast,â I saw it once. It was after the first-act curtain. Benedict had weakened one of the legs of the set couch with his damn-fool gymnastics during that scene with the Truslow girl, and even the stage crew was demoralized. So I decided to fix the leg myself. I went for tools, and thatâs when I spotted the knife. It was lying on the top tray of the chest in plain sight.â
âDid you notice any peculiar-looking indentations in the tape?â
âIndentations?â
âImpressions. Come here, Dullman. But donât touch it.â
Dullman looked and shook his head. âI didnât see anything like that. Iâm sure Iâd have noticed. I remember thinking how shiny and new-looking the tape was.â
âHow soon after the curtain came down was this?â
âWas what?â
âWhen you saw the knife in the chest.â
âRight after. Benedict was just coming offstage. He went into the dressing room here while I was poking around in the tools.â
âHe was alone?â
âHe was alone.â
âDid you talk to him?â
Dullman examined the pulpy end of his cigar. âYou might say he talked to me.â
âWhat did he say?â
âWhy, he explainedâwith one of those famous stage leers of hisâexactly what his plans were for after the performance. Spelled it out,â Dullman said, jamming the cigar back in his mouth, âin four-letter words.â
âAnd you said to himâ?â
âNothing. Look, Queen, if I went after every bum and slob Iâve had to deal with in show business Iâd have more notches to my account than Danâl Boone.â Dullman grinned. âAnyway, you and the doctor here say you heard who Benedict put the finger on. So what the hell.â
âWho occupies the dressing room just above this one?â
âJoan Truslow.â
Ellery went out.
The lid of the chest marked Tools was open, as he had seen it on his backstage tour early in the evening. There was no knife in the tray, or anywhere else in the chest. If Dullman was telling the truth, the knife in Foster Benedictâs back almost certainly had come from this tool chest.
Ellery heard two sirens coming on fast outside.
He glanced up at the narrow landing. The upper dressing room door was halfway open.
He sprang to the iron ladder.
ACT II. Scene 3.
He knocked and stepped into Joan Truslowâs tiny dressing room at once, shutting the door behind him.
Joan and Roger jumped apart. Tears had left a clownish design in the girlâs make-up.
Ellery set his back against the door.
âDo you make a habit of barging into ladiesâ dressing rooms?â Roger said truculently.
âNo one seems to approve of me tonight,â Ellery complained. âRodge, thereâs not much time.â
âFor what?â
But Joan put her hand on Rogerâs arm. âHow is he, Mr. Queen?â
âBenedict? Oh, he died.â
He studied her reaction carefully. It told nothing.
âIâm sorry,â she said. âEven though he was beastly.â
âI saw his lips moving during your speeches in that couch scene. What was he saying to you, Joan?â
âVile things. I canât repeat them.â
âThe police just got here.â
She betrayed herself by the manner in which she turned away and sat down at her dressing table to begin repairing her make-up. The trivial routine was like a skillful bit of stage business, in which the effect of naturalness was
R. C. Farrington, Jason Farrington