the-war wrote stories again, but didn't sell so many, eight or ten a year at three cents a word. In 1947 had a book published by the Owl Press, Barrage at Dawn, of which 35,000 copies were sold, and got married in 1948 and took an apartment in Brooklyn Heights. No more books published. Fewer stories sold. In 1954 moved to the tenement on West 21st Street. Member of the NAAD since 1931, dues always paid promptly, even during the war when he didn't have to.
Jane Ogilvy. Descriptions from three sources and several photographs. Late twenties or early thirties, depending on the source. Nice little figure, pretty little face, dreamy-eyed. In 1957 was living with her parents in their house in Riverdale, and still was. Went to Europe alone immediately after she collected from Mariorie Lippin's estate, but only stayed a month. Her father was in wholesale hardware, high financial rating. She had testified in court that she had had seventeen poems published in magazines, and had read three of them on the witness stand at the request of her attorney. No stories or books published. Member of the NAAD since 1955; was behind a year on her dues.
Kenenth Rennert. I could supply several pages on him, from the reports of the detective agency hired by Mortimer Oshin. Thirty-four years old, single. Looked younger. Virile (not my word, the detective's), muscular, handsome. Piercing brown eyes and so on. Living in a nice big room with bath and kitchenette on East 37th Street; the detective had combed it twice. Had mother and sisters in Ottumwa, Iowa; father dead. Graduated from Princeton in 1950. Got a job with a brokerage house, Orcutt and Company, was discharged in 1954 for cause, exact cause not ascertained, but it was something about diddling customers. No public charges. Began writing for television. So far as could be learned had sold only nine scripts in four years, but no other known source of income. Has borrowed money right and the left; probably owes thirty or forty grand. Never a member of the NAAD; not eligible. Has never submitted a play to an agent or producer.
There they were. My guess, just to sleep on, was Alice Porter. She had worked it first, back in 1955, and was now repeating. She had written a book entitled The Moth That Ate Peanuts, which showed that she would stop at nothing. Her eyes were too close together. My suggestion in the morning, if Wolfe asked for one, as he usually did just to be polite, would be to connect her up with Simon Jacobs in 1956, Jane Ogilvy in 1957, and possibly Kenneth Rennert in 1958. If she had written the stories and they had used them, there had certainly been contacts. Oshin's detective agency and the lawyer for Mariorie Lippin's estate hadn't found any, but whether something is found or not depends on who is looking for it.
Making room on the shelves of one of the cabinets, I lugged the stuff from the table to it, seven trips, locked the cabinet, returned the table to the front room, and went up to bed.
Nero Wolfe 32 - Plot It Yourself
Chapter 4
I never made that suggestion because I slept it off. I had a better one. At eight-fifteen Thursday morning I descended two flights, entered the kitchen, exchanged good mornings with Fritz, picked up my ten-ounce glass of orange juice, took that first sour-sweet sip, which is always the first hint that the fog is going to lift, and inquired, 'No omelet?'
Fritz shut the refrigerator door. 'You well know, Archie, what it means when the eggs are not broken.'
'Sure, but I'm hungry.'
It meant that when Fritz had taken Wolfe's breakfast tray up to his room he had been told that I was wanted, and he would not break eggs until he heard me coming down again. I will not gulp orange juice, so after a second sip I took it along-up a flight, left to the door standing open at the end of the hall, and in. Wolfe, barefooted, a yellow mountain in his pajamas, was in his next-to-favourite chair at the table by a window, spooning raspberry jam onto a griddle cake.