her, Duchess. I turn to you because you must have a motherâs heart. She came to see me, from her convent, a month ago. They tell me sheâs dead, (
smiling
sadly
) But I canât grieve for her, because if youâre here and Iâm in sackcloth, that means Iâm twenty-six.
HAROLD Â Â Â (
whispering, comforting
) So it follows she canât be dead, Your Majesty.
HENRY Â Â Â So Iâll grieve for her all in good time.
Henry shows Matilda his hair colour, almost coquettishly.
HENRY Â Â Â (
cont.
) Look!âstill blond! (
confidentially
) For you. I donât care for myself. Though it helps . . . a little touch . . . trim the sails of time, you follow me, Monsignor?
Henry goes to look at her hair.
HENRY Â Â Â (
cont.
) Oh, I see that you, too . . . Italians!
Tsk
! Far be it for me to criticize . . . None of us likes to acknowledge the mortality that sets limits to our will. But if youâre born you die, thatâs what I say! Did you ask to be born, Monsignor? I didnât. And between birth and death, neither of our choosing, many things happen we wouldnât have chosen, which reluctantlyâwe have to live with.
DOCTOR Â Â Â (
studying Henry closely
) True . . . sad but true . . .
HENRY Â Â Â You see, when we refuse to resign ourselves, whatâs the result? Wishful thinking at its most futile. A woman who wishes she were a man . . . an old man who wishes he were young . . . None of us lies or pretendsâwhat happens is, in all sincerity, we inhabit the self we have chosen for ourselves, and donât let go. But while youâre holding tight, gripping on to your monkâs robe, Monsignor, from out your sleeve something slips away without you noticing: your life! And how surprised youâll be when you suddenly see it going, goneâhow youâll despise yourselfâand how sorry youâll be, oh yes, if you only knew how often Iâvegrieved over mine, slithering offâit had my face but was so disfigured I had to turn away.
Henry approaches Matilda.
HENRY Â Â Â (
cont.
) Has that never happened to you, my lady? Do you think of yourself unchanging and unchanged? Oh God, but there was a day . . . How could you? How could you have done that?
He stares into Matildaâs eyes.
HENRY Â Â Â (
cont.
) Yesâthat. We understand each other. Donât worry, itâs our secret. And you, Peter Damian . . . that you could be friends with someone like that!
LANDOLF Â Â Â Your Majesty . . .
HENRY Â Â Â No names. I know how upset people get.
Henry turns to Belcredi.
HENRY Â Â Â (
cont.
) Do you agree? We all hug our idea of ourselves to ourselves. As our hair turns greyer, we keep pace with the colouring bottle. Itâs of no consequence that I fool nobody. You, Duchess, donât fool yourself or anybody elseâperhaps the image in your mirror, just a tiny bit. I do it to amuse myself. You do it in earnest. But no amount of earnestness stops it being a masquerade, and Iâm not referring to your cloak and coronet. Iâm talking about a memory of yourself you want to hold tight, the memory of a day gone by when to be fair-haired was your delightâor dark-haired if you were dark: the faded memory of being young. With you, itâs different, Peter Damian. The memory of who you were, what you did, is no more than a dream thatâs safe with youâisnât that so?âa bad dream. Itâs the same for me. Dreams, many of them, now I think of it,with no meaning I can explain. Oh, well!ânothing to be done, and tomorrow will be more of the same.
Henry flies into a sudden fury, grabbing the sackcloth heâs wearing.
HENRY Â Â Â (
cont.
) This sackcloth . . . !
Then with a wild joy, Henry makes as if to rip the sackcloth off, while Harold and Ordulf, frightened, rush to stop him.
HENRY Â Â Â (
cont.
) Oh God!
(
backing away, shouting, taking off his
Marteeka Karland and Shelby Morgen