though,
If anyone ever makes
Fun of him, calls him
Stupid or a spaz
Or anything, Iâm sure
Even our eighty-five-year-old
Self, we at our big
Wisdom-apex age,
Will vivisect that anyone
With a grapefruit spoon.
Weâll laugh, but then
Sheâll turn to me and say:
But youâre from the past.
Youâre just me last year.
You donât know
Any more than I do.
In fact, sheâll say,
Backing away,
You know even less.
Youâre fucking with me.
Then she wonât let me
Touch her or say another
Word. So what was
The point of my coming here?
The New People
I had no desire to get to know the screamers,
our loud-in-ten-ways, annoying, drunk and boorish
neighbors, but I didnât put up
a fence or anything. Didnât fight it
when they brought us plates of their fatty meals
and overlong chitchat. We were new,
just renting, and I didnât want to be rude,
either, when Joanna and Vince
brought us their statue of the Virgin Mary
when our newborn son was in the hospital.
Joanna had tears in her eyes and though I am not
Catholic, or even Christianâor not
anymore anyway, I think, if itâs like what I suppose
in that you have to keep up with the dues
to stay in the clubâ
I accepted the statue. I took in the alien
mother and wrapped her in a blanket.
I lay her on a low shelf and broke
the news to my Jewish husband, who cringed
and said, âShe gave you
what?
â
But I didnât care
what it was, from what god or goddess
or neighbor or creature or kiln.
I was becoming someone I didnât know
each day without my little boyânear insanity
about his tiny, pure, hurt self. All those wires.
Blessed Virgin Mary, Mother of God,
Holy Statue in my babyâs silent room, I promise
I will believe in you, and in Jesus too. Pleaseâ¦
Why was I cradling a âmotherâ statue,
a ceramic doll, this creepy relic,
instead of my living, beautiful son?
If
she
could make it all the way here,
across so many territories of indifference,
into my most secret empty roomâ
surely my child, who belonged, would come home soon?
If You So Much As Lay a Hand
What can I possibly understand
holding on to the idea that he is mine?
Denying the fact that heâs really being passed
from hand of the living to hand of the dead
above my head
in a game of keep-away
in which I am not the mother who makes
the rules and has her say
but the target, who makes them all laugh
at my attempts to stay light-
hearted, game, so the teasing
doesnât turn more vicious.
If some clumsy god drops him
or forgets to wind up his breath
enough to last the whole night
or if some irritated hand swats him away
like a fly, I will replace my life
with blood sport, wild to find that arm,
the tendoned shoulder, the loose fist of that god,
aim for his face, his expression. I will see it.
See whether he equals in horror
my childâs beauty.
Whether there is light in his eyes,
or envy. If there are such hands,
such a brutal face
to my sonâs luck or unluck.
The words flog and flay and no mercy
come to mind, like some maniac order
divinity believes only it can give,
or dissolve like a membrane
between world and love.
A jellyfish can find, in water,
the air it needs
to keep the poison ready. Even if
this god is not some creature,
with creature-logic
and animal heft, but only an idea
the breath forms from death,
from a random plot of book or land,
not man or kind of man,
if I so much as see the shadow
of that hand.
Nachträglichkeit
after Kaja Silvermanâs
Flesh of My Flesh
On having slashed myself from throat to instep
in one unbroken line,
I suppose it was a reenactment, Freudâs
Nachträglichkeit:
the second act. The past presses so hard
on the present, the present is badly bruised,
blood brims under the skin.
That was the situation I was in. Wearing a jacket of