shadow,
that too-large one cresting
just now, too soon for you
to get inside the curl:
the one place in the ocean
where itâs safe. And safe
only for a half-breath
(a fishâs sip with
hooked lip),
only for that one blink
of an eye already shut (tiptoe
to the foreshadow) against
the headlong wall of salt water.
To My Twenty-Three-Year-Old Self
The woman you think
Is the love of your life
Is only a way to get
To New York City.
I probably shouldnât
Say that until she leaves
You. Because you will
Hate me if I say it now.
You âloveâ âherâ so
Much. You are lavishing
A lifetime of unexpressed love
On this poor expressionless
Child. She can barely feel.
And you, you narcissist,
You can only feel yourself.
If you really loved her,
You would try to help her.
But in the end, Iâm glad
You spent your energies
Writing love poems and
Trying to transform your love
Into art. It worked out
For you. FSG will buy it
Even though itâs juvenile.
Youâd believe that before
Youâd believe sheâll leave you.
In six weeks. Without a trace.
Saying:
You donât know who
You are. And besides youâre not
Butch enough for me.
As if you wouldnât make yourself
Into
anything
for her.
Had she only said she wanted it.
Luckily for you, she didnât.
To My Twenty-Four-Year-Old Self
You wouldnât know me,
If I came to you in a dream.
Youâd be sleeping
It off, youâd be naked
And cute, but you think
Youâre a kind of monster
And maybe you are,
Just not an ugly one.
That whole business
Will come later.
Youâd pass me on the street
As well, a ânormal,â
Someone who traded
In her essentials for
A look of haunted
Responsibility.
Someone who was maybe
Once a girl youâd know.
I would want to tell
You that romance
Was a kind of civilization
That fell. I cannot
Explain the complex
Strategies in that bitter
Defeat, not that I
Fathom it, except to say
That we are all haunted.
You too, in your wild love
And fear. You are a monster.
I am not a dream.
To My Twenty-Five-Year-Old Self
Billy Collins, have you any
Idea how important
You were to my twenty-five-year-
Old self? You werenât
Poet laureate yet, you
Were just a teacher I had
In Ireland. You were
Expansive and you
Believed in me.
I felt like a real poet
With you for the first
Time even though we
Argued about feminism
And things that mattered.
I was just at that cusp
Of being someone who wanted
So desperately to write,
Tipping over into becoming a writer.
I was fighting it. I didnât know
How to be except angry.
I was frightened. What if I
Could be good? What if
I would never be good?
Would your attention
Be all Iâd ever really have
Of poetry? How could I know?
And so I was angry at you.
And between the lesbian
Love Iâd left in New York
Who, Iâm grateful, convinced
Me to buy contact lenses
So I could see the green
Hills, and the British physicist
Iâd end up in bed with
Before Iâd left Ireland,
There was something pure
And aboveboard, not teacherly
But generous, and lovely
And incomplete and no
One thing. I wonât forget it:
The way you laughed
At some mean joke, at some
Ugly truth, into the wind
So it blew back into our happy,
Stupid faces on a ferry made me understand,
This is love the way poets know it.
To My Thirty-Eight-Year-Old Self
Calvin will be fine,
I want to say
To this woman who
Is one year older than me.
To tell her: You may still
Not be able to tell,
But he will catch up,
And fit into the category
Of ânormalâ and weâll
Both laugh at ourselves,
Who never imagined
Normal as a good thing
For anybody, much less
A beautiful, innocent
Baby. Who has a real
Chance at being magnificent.
Sheâll say what
Did we knowâ¦we were
So worried. Still