here in a panic, but I know youâre faking. Donât play along, Charlie D.â
I attempt to clear the air. âGabe, this is a high-stakes game, so I need you to tell me the truth. Are you planning to commit suicide?â
âI prefer to think of it as exiting on my own terms,â he says.
Thereâs a hopelessness in his voice that I recognize.
âLetâs rethink this, Gabe,â I say. âIâve been where you are, standing so close to the Gate of Hell I could read the inscription over the entrance.â
ââAbandon all hope, ye who enter here.ââ Gabe supplies the passage from Danteâs Inferno . âOne of lifeâs nastier surprises is that even our suffering is not unique.â
Dr. Harris cannot contain her impatience.
âGabe, youâre an adult. Whether you choose to end your life is your decision. Iâve lost track of the number of times youâve threatened suicide. Youâre like the boy who cried wolf.â
âAh, but one day, there really was a wolf, and he ate the boy. My wolf is a vial of saxi-toxin. It takes so littleâthereâs more than enough here for both of us. Just a pinprick from the hypodermic and, within seconds, oblivion. Would you like to say goodbye, my dark star?â
Robin spits out her response.
âTo you? I donât think so. Iâve already said goodbye to you a hundred times. You never get the message.â
Gabe sounds weary.
âActually, I was wondering if youâd like to say goodbye to your daughter.â
âWhat?â For the first time since she walked into the studio, cracks appear in Robin Harrisâs facade. âWhat are you talking about, Gabe?â
âYou never quite hear me, do you, my dark star? I simply asked if you wanted to say goodbye to Kali?â
Robinâs eyes are wide with fear.
âWhat are you talking about? You know I wouldnât let you anywhere near my daughter.â
âToo late, Robin. Sheâs here with me now.â
âYouâre lying. I talked to Kali two hours ago. Her nanny had just given her a bath and tucked her in.â
âAnd Kali was wearing her new pajamasâ the ones I bought her for Halloweenâbut why donât I let Kali tell you about them.â
As she describes her new pajamas, Kaliâs voice is as tuneful as a well-played flute.
â You were gone before Gabe came, Mummy. The pajamas he gave me are dark blue and theyâre covered in moons and starsâ¦and when the lights go out, the moons and stars glow in the dark.â
Dr. Robin Harris seems to crumple before me.
âThatâs her voice,â she says. âOh my god, Gabe has my daughter.â
CHAPTER EIGHT
F or the first seconds after she hears that her six-year-old is with Gabe, Dr. Harris looks as if sheâs been sucker-punched. But sheâs a champ, and she comes out swinging. She pulls her microphone closer, a rookie mistake butâgiven the circumstancesâunderstandable. I reach over and adjust it.
âHow did you get her, Gabe?â she asks. She makes no attempt to disguise the hostility in her voice. Both Robinâs tone and her question surprise me. I thought her first concern would be Kaliâs safety. But itâs not. Dr. Harris obviously sees Gabeâs possession of her daughter as a kind of power play.
âWhat did you promise Inge?â she asks. âShe would never simply hand Kali over to you. Sheâs been my nanny since Kali was born.â
âWhich means she has seen how deeply I love you both,â Gabe says quietly. âInge and I talk all the time. Sheâs been concerned about this rift between you and me. I wish you could have seen her face when I told her the estrangement was over.â
âShe believed you?â Robin says.
âShe was ecstatic,â Gabe says. âWe were all ecstatic, werenât we, Kali? Kali and I were so happy that we
Etgar Keret, Nathan Englander, Miriam Shlesinger, Sondra Silverston