needs her hands back to clear away the glasses.
âNo time for that.
We must get Odette to the railway station
as we planned.â
I look up at my mother.
âYouâll come with me, wonât you, Mama?â I ask.
Torn in Two
Mamaâs sad eyes turn to me.
âNo, Odette,â she says, âI must leave you now.
Itâs time for you to go to the country,
with our friends.â
Mamaâs brown curls quiver just a little
as she tries to smile.
She takes me in her arms and rocks me back and forth.
Then she kisses my cheeks three times.
She wipes off my tears with her fingers in between.
With one last quick hug, she leans over
and begins to tie her shoes.
âMama!â I scream.
I clutch her, hard.
âDonât go!â
Mama puts her finger to my lips.
âShhh, Odette,â she says.
She drops her coat, then kneels next to me.
We look at each other, face-to-face.
Mamaâs fingertips trace my cheeks, my ears.
âI must go now, right away,
chérie
,â Mama says.
âMaybe I can warn your aunt and cousins about the trucks.â
âLet me come with you!â I beg.
âIâll be good ⦠I promise. Please!â
I feel like Iâm being torn in two.
Mamaâs face twists away.
âNo, Odette,â she says. âThat would be too dangerous.
You must go with our friends to a safe place, remember?
Cécile and Paulette and Suzanne
will be waiting for you at the train station.
You girls will all go together.â
Mama stands up.
âDonât be sad, Odette,â she says.
âItâs only for a little while â¦
until we can be together again.â
She blows me a kiss,
and she slips through the glass-topped door.
I watch her in the hallway.
She belts her coat tightly around her.
Then she opens the huge wooden door
and disappears into the street.
Courage
I look up at my godmother, trembling.
My heart pounds down in my stomach.
I know I have to go with Paulette and Cécile and Suzanne.
We have known each other all our lives.
Our mothers are friends.
But we are not together, not yet!
How can I go to the railway station all alone?
Madame Marie plucks away the last few threads
left on my dress from my star.
She smoothes the fabric with her fingertips.
Suddenly, I grab her and bury my face in her dress.
I cling to her and sob.
How can I leave my home,
my mother, my godmother too?
I wonât do this!
Iâll never be able to do this!
â
Courage, ma petite
,â Madame Marie says,
and pats my back.
âDonât worry.
Iâll fetch Henri from work.
Heâll take you on the
Métro
to the railway station.â
I take a deep breath.
My heart rises back into my chest.
Monsieur Henri,
with his walrus mustache and his kind, droopy eyes,
is as big and strong as the mountains he comes from.
I know heâll protect me.
âCome now,â says my godmother
as she wipes my face.
âIâll help you pack.â
She tiptoes into the hallway and listens.
No one is coming downstairs.
Together we creep up to my apartment.
Madame Marie closes the door,
then the bedroom shutters.
The school year has just ended.
My godmother takes
my notebooks and pencils out of my schoolbag.
She puts in clean underwear,
the blue sweater my mother knitted,
a print dress she made for me.
I bring her my doll.
âAh, no, my little rabbit.
Charlotte cannot go in this bag.â
âI have to bring Charlotte!â I say.
Panic rises into my chest â¦
I canât go without my doll!
âNo,â says Madame Marie, her mind made up.
âYou can take only a small bag.
A big one might attract attention,
and Charlotte cannot fit in here.â
She puts a finger to her lips
to tell me to be quiet.
âYou and Charlotte say good-bye for now.
Then come downstairs.
Iâll have your breakfast waiting.â
My godmother slips out the door.
I take Charlotte