âIâm here, honey,â she says. âGo back to sleep. I love you!â
Norm rolls his right hand from side to side.
âI havenât seen him move his hands in weeks,â Penny exclaims.
âOh, your kitty misses you, too,â Amalia tells him. She pulls Schubert from his carrier on the floor and seats him on the bedspread facing Norm. Holding his forelegs tight against his rib cage, she shoves him toward Normâs hand for petting.
Very slowly, Norm raises both hands and closes them around the catâs throat as though to strangle him. His thumbs press hard on Schubertâs trachea.
The cat snarls and scratches him deeply on top of his right forearm.
âFuck,â Penny says, moved by her fatherâs display of physical effort and will.
âOh my god,â Amalia says, moved by the blood that streams from his torn flesh. Norm does not wince or make a sound. His hands drop to the blanket. His right forearm gapes like a split pomegranate, and he seems to fall asleep. Schubert escapes and hides under the bed.
Penny is entirely sureâ100 percent certainâthat he was trying to communicate to Amalia that she should strangle him. That he does not trust her, Penny, to carry out such a wish, but that he wouldnât put it past her mother.
âHere, kitty, kitty, kitty,â Amalia says, on her knees on the floor. âI should never have put this poor kitty in the car. Now he thinks heâs at the vet!â
THE NEXT MORNING, NORMâS WOUND is badly infected. A spike of sepsis reaches to his shoulder. Under a thick wad of bandaging, his arm continues to bleed.
âBlood poisoning a-going to kill him now,â an orderly tells Penny. âThis man got no immune system.â He smoothes a fresh sheet with his hand while two nurses support Norm, who has been rolled over onto his side. His skin, soft as silk and drained of muscle and fat, lies draped over his skeleton like a shroud.
Soon after, the assistant deputy hospice director surprises Penny by inviting her to sit down in the foyer between the baby grand piano and the flickering gas hearth. âI spoke with your mother,â she says, âand weâre discharging him to home hospice this afternoon. Heâs had no events requiring intervention. His vital signs are good.â
âYou are kidding me,â Penny says.
âWe admitted him expecting a bleed-out. His platelets are minimal, but there simply hasnât been sufficient trauma. He hasnât been eating or getting up. At this stage we anticipate death from kidney failure, assuming he doesnât start drinking again. I would strongly advise against intubation or intravenous fluids.â
âRight, right,â Penny says. âNo painkillers because they hasten death, and no fluids because they prolong life.â
The assistant deputy hospice director places a hand on Pennyâs shoulder. âThis must be hard on you.â
âItâs harder on him!â
âIt gets easier. Heâs going to die fairly quickly of systemic sepsis, with that arm.â
Normâs advance directiveâan end game far too much like Final Jeopardy for comfortârejects antibiotics.
Penny bites her lip and says nothing.
SHE SITS WITH A SOCIAL worker in a cramped office behind the reception desk and discusses the equipment and assistance she will need in Morristown.
She will take delivery of an adjustable bed just like the bed in the hospice. Twice a day, a nurseâs aide will help her change Normâs diaper. She will learn to administer the âe-kitâ in emergencies.
Penny agrees to everything, and the social worker makes a phone call. She asks Penny whether anyone is at home, because the bed is already on the truck.
Penny retrieves her bag and the laptop from Normâs roomâhe is sound asleepâand drives to Morristown to wait for the bed.
She clears space in his library, the only room on the
Christine Lynxwiler, Jan Reynolds, Sandy Gaskin