Music for Chameleons Read Online Free PDF Page A

birds. I feel so guilty about not tossing them crumbs during the winter. But I can’t have them gathering around the house. Because of the cats. Do you care for cats?”
    “Yes, I once had a Siamese named Toma. She lived to be twelve, and we traveled everywhere together. All over the world. And when she died I never had the heart to get another.”
    “Then maybe you will understand this,” she said, leading me over to the deep-freeze, and opening it. Inside was nothing but cats: stacks of frozen, perfectly preserved cats—dozens of them. It gave me an odd sensation. “All my old friends. Gone to rest. It’s just that I couldn’t bear to lose them. Completely .” She laughed, and said: “I guess you think I’m a bit dotty.”
    A bit dotty. Yes, a bit dotty, I thought as I walked under grey skies in the direction of the highway she had pointed out to me. But radiant: a lamp in a window.

IV
    Mojave
    AT 5 P.M. THAT WINTER afternoon she had an appointment with Dr. Bentsen, formerly her psychoanalyst and currently her lover. When their relationship had changed from the analytical to the emotional, he insisted, on ethical grounds, that she cease to be his patient. Not that it mattered. He had not been of much help as an analyst, and as a lover—well, once she had watched him running to catch a bus, two hundred and twenty pounds of shortish, fiftyish, frizzly-haired, hip-heavy, myopic Manhattan Intellectual, and she had laughed: how was it possible that she could love a man so ill-humored, so ill-favored as Ezra Bentsen? The answer was she didn’t; in fact, she disliked him. But at least she didn’t associate him with resignation and despair. She feared her husband; she was not afraid of Dr. Bentsen. Still, it was her husband she loved.
    She was rich; at any rate, had a substantial allowance from her husband, who was rich, and so could afford the studio-apartment hideaway where she met her lover perhaps once a week, sometimes twice, never more. She could also afford gifts he seemed to expect on these occasions. Not that he appreciated their quality: Verdura cuff links, classic Paul Flato cigarette cases, the obligatoryCartier watch, and (more to the point) occasional specific amounts of cash he asked to “borrow.”
    He had never given her a single present. Well, one: a mother-of-pearl Spanish dress comb that he claimed was an heirloom, a mother-treasure. Of course, it was nothing she could wear, for she wore her own hair, fluffy and tobacco-colored, like a childish aureole around her deceptively naïve and youthful face. Thanks to dieting, private exercises with Joseph Pilatos, and the dermatological attentions of Dr. Orentreich, she looked in her early twenties; she was thirty-six.
    The Spanish comb. Her hair. That reminded her of Jaime Sanchez and something that had happened yesterday. Jaime Sanchez was her hairdresser, and though they had known each other scarcely a year, they were, in their own way, good friends. She confided in him somewhat; he confided in her considerably more. Until recently she had judged Jaime to be a happy, almost overly blessed young man. He shared an apartment with an attractive lover, a young dentist named Carlos. Jaime and Carlos had been schoolmates in San Juan; they had left Puerto Rico together, settling first in New Orleans, then New York, and it was Jaime, working as a beautician, a talented one, who had put Carlos through dental school. Now Carlos had his own office and a clientele of prosperous Puerto Ricans and blacks.
    However, during her last several visits she had noticed that Jaime Sanchez’s usually unclouded eyes were somber, yellowed, as though he had a hangover, and his expertly articulate hands, ordinarily so calm and capable, trembled a little.
    Yesterday, while scissor-trimming her hair, he had stopped and stood gasping, gasping—not as though fighting for air, but as if struggling against a scream.
    She had said: “What is it? Are you all right?”
    “No.”
    He