Music for Chameleons
had stepped to a washbasin and splashed his face withcold water. While drying himself, he said: “I’m going to kill Carlos.” He waited, as if expecting her to ask him why; when she merely stared, he continued: “There’s no use talking any more. He understands nothing. My words mean nothing. The only way I can communicate with him is to kill him. Then he will understand.”
    “I’m not sure that I do, Jaime.”
    “Have I ever mentioned to you Angelita? My cousin Angelita? She came here six months ago. She has always been in love with Carlos. Since she was, oh, twelve years old. And now Carlos is in love with her. He wants to marry her and have a household of children.”
    She felt so awkward that all she could think to ask was: “Is she a nice girl?”
    “Too nice.” He had seized the scissors and resumed clipping. “No, I mean that. She is an excellent girl, very petite, like a pretty parrot, and much too nice; her kindness becomes cruel. Though she doesn’t understand that she is being cruel. For example …” She glanced at Jaime’s face moving in the mirror above the washbasin; it was not the merry face that had often beguiled her, but pain and perplexity exactly reflected. “Angelita and Carlos want me to live with them after they are married, all of us together in one apartment. It was her idea, but Carlos says yes! yes! we must all stay together and from now on he and I will live like brothers. That is the reason I have to kill him. He could never have loved me, not if he could ignore my enduring such hell. He says, ‘Yes, I love you, Jaime; but Angelita—this is different.’ There is no difference. You love or you do not. You destroy or you do not. But Carlos will never understand that. Nothing reaches him, nothing can—only a bullet or a razor.”
    She wanted to laugh; at the same time she couldn’t because she realized he was serious and also because she well knew how true it was that certain persons could only be made to recognizethe truth, be made to understand , by subjecting them to extreme punishment.
    Nevertheless, she did laugh, but in a manner that Jaime would not interpret as genuine laughter. It was something comparable to a sympathetic shrug. “You could never kill anyone, Jaime.”
    He began to comb her hair; the tugs were not gentle, but she knew the anger implied was against himself, not her. “Shit!” Then: “No. And that’s the reason for most suicides. Someone is torturing you. You want to kill them, but you can’t. All that pain is because you love them, and you can’t kill them because you love them. So you kill yourself instead.”
    Leaving, she considered kissing him on the cheek, but settled for shaking his hand. “I know how trite this is, Jaime. And for the moment certainly no help at all. But remember—there’s always somebody else. Just don’t look for the same person, that’s all.”
    THE RENDEZVOUS APARTMENT WAS ON East Sixty-fifth Street; today she walked to it from her home, a small town house on Beekman Place. It was windy, there was leftover snow on the sidewalk and a promise of more in the air, but she was snug enough in the coat her husband had given her for Christmas—a sable-colored suede coat that was lined with sable.
    A cousin had rented the apartment for her in his own name. The cousin, who was married to a harridan and lived in Greenwich, sometimes visited the apartment with his secretary, a fat Japanese woman who drenched herself in nose-boggling amounts of Mitsouko. This afternoon the apartment reeked of the lady’s perfume, from which she deduced that her cousin had lately been dallying here. That meant she would have to change the sheets.
    She did so, then prepared herself. On a table beside the bed she placed a small box wrapped in shiny cerulean paper; it contained a gold toothpick she had bought at Tiffany, a gift for Dr. Bentsen, for one of his unpleasing habits was constantly picking his teeth, and, moreover, picking them with an
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