than question, as though by sounding positive she could make the answer come out the way she wanted it to.
Parkhurst, as far as Susan could see, didnât respond with so much as a flicker of an eyelid, but what little color there was behind the makeup on Lauraâs face drained away. Susan was afraid sheâd drop over in a dead faint. Parkhurst apparently thought so too. Before Susan could move, he had Lauraâs head down around her knees.
Seconds passed, then she started making muffled mewling noises and he released her. The heavy smeared makeup was still the only color in her face. Susan retrieved a glass from the cabinet in the kitchen area, filled it from the tap, and handed it to Parkhurst.
He did a surveillance of Lauraâs face as he placed the glass in her hand.
âIt should have been me,â she whispered.
âWhy do you say that?â
âI was supposed to be up thereâon the railingâwhenââ
âWhy werenât you?â Parkhurst asked, but heâd lost her; her attention was caught on something in her mind. Probably the fall. Her skin got a little green; her eyes went unfocused.
Putting his hands on her shoulders, he said quietly, âTalk to me, Laura. Concentrate. Thatâs right. Now, where were you when you were supposed to be in the loft?â
âSomebody killed her? Why?â
âWe need to find out the answer to both those questions. Who would want to kill her?â
Laura simply looked at him, then shook her head. âAccidents happen, you know. Even when everyoneâs being very careful. They just do. Theyââ
âLauraââ
âDeliberate?â
âMaybe. How long have you known Kay Bender?â
âI donât know. Two years. Maybe longer. What does it matter?â
âDid she have any conflict with anybody, anybody dislike her?â
âI donât know. I donât think so.â Lauraâs head swiveled around to look at Susan.
Parkhurst turned her back, held his hands on both sides of her face like blinders. âNever mind her, Laura. Youâre bright enough to know that if Kay wasnât the target, you were. You in any trouble?â
âWhat kind of trouble?â
âYou tell me. If someone tried to kill you, or hurt you, there must be a reason.â
âNo. I donât know. Something is wrong on this film.â
âWhat do you mean wrong?â
âI donât know. Itâs not anything I can point to. Itâs a feeling. Something going on underneath the surface.â
Under whose surface? Susan wondered cynically.
âAlways, or just since you came here?â
Laura hesitated. âIâm not sure. But itâs certainly been stronger since we got here.â
âHave you made anybody angry? The director?â
âFifer would never try to harm me. Thatâd mean his movie wouldnât get finished. Youâve no idea how much money would be lost.â
But there would be insurance, Susan thought. A possibility? Director kills, or seriously injures, star to collect? She made a note to check into the financial situation of this movie.
âYour co-star?â Parkhurst asked.
âNick? Why would he try to hurt me?â
âThatâs what Iâm trying to find out. Maybe you eat garlic right before the love scenes and heâs tired of it. Maybe a loverâs spat, true love not running smooth.â
âOkay, so we have our moments. Weâre both professionals. It doesnât affect our work.â
He stared at her. She lowered her head, shiny gold hair obscured her face. Her breathing got quick and shallow. Parkhurst was getting to her, Susan thought, but damned if she knew what was going on here.
âAll right, Laurie,â he said. âYouâre smart, even observant when you want to be.â
She raised her head, tried to look him in the eye, but her gaze slid away and her face flushed a soft
Kami Garcia, Margaret Stohl