glanceââcan we, darling?â
âPersonally,â Hamish said, sensing double meanings and changing the subject, âIâm hoping they make me Hercule Poirot, the detective.â
âYou hardly look like a Belgian with a waxed moustache,â Dulcie commented. In fact, Christieâs detective hero had been quite a small man, and so was Hamish, but in every other way they were opposites. Hamish had undistinguished features and a bland, faintly superior expression, which seldom displayed emotion. His personality was a level playing fieldâat a very good school, of course. What had attracted Dulcie had been their their shared love of opera. It had not proved enough.
âThey must expect us to dress the part,â Hamish insisted, earning a look of amazement from Dulcie. What was he up to?
âYou really think so?â Adrienne brightened. âThen we might all get a bit of a giggle after all.â
*Â Â Â *Â Â Â *
W HILE D ULCIE was considering how to handle this delicate subplot to the murder weekend, two of Gilroyâs other guests, approaching from the London direction in a Ford, were debating quite different concerns. Jemma and Jim Savage were father and daughter, and Jemma was airing a reasoned mistrust of what her father had arranged.
âDaddy,â she was saying, as they approached the Oxford bypass, âare you sure you explained? I mean, sharing a room with you would not be my idea of a fun weekend.â
âNor mine, as a matter of fact.â
âSo what did you tell them?â
âWhat should I have? That Iâm a redundant insurance adjuster of fifty-two, who would have opted out of the weekend if his daughter hadnât railroaded him?â
âWhat did that counsellor say?â Jemma was shepherding her father through the traumas of a redundancy that had come within months of his second wifeâs leaving him. âHe said you must go on with whatever youâve planned. Donât let anyone know youâre upset. Come on, Daddy, youâll enjoy the weekend, and itâs not as though weâre completely broke.â
âNo thanks to Pauline.â
âSheâs off the payroll. Forget her.â Jemma never had liked her stepmother much. âAt least you got the American Express card back.â
âEventually. Anyway, I did not tell Lord Gilroy that I was out of work. I told him I had a journalist daughter who was an Agatha Christie freakââ
âDaddy! Iâve never read any of her.â
ââand who,â Savage persisted, âis absolutely fascinated by the whole idea.â
âSo he expects me to write about it? Youâre a pig. Why should I?â
âAll the best frauds originate in telling someone what he or she wants to hear. Lord Gilroy wants publicity.â
âReally, Daddy!â Sometimes Jemma was astonished at her fatherâs innocence. âIf Iâd known, I might have got it for free. Except that my mag isnât interested in hypothetical crimes.â
âYou want real blood all over the floor?â
âYou know we do.â
âOr blondes in black leather with whips?â
âDaddy, please! Crime and Punishment is a monthly review of interpretative analysis and holistic vision, devoted to improving understanding of the criminal mind. So there.â
âTalking of which,â Jim remarked, âLord Gilroy has quite an unusual handwriting. If I was assessing a claim from him Iâd go through every detail with a fine-tooth comb.â
âI bet you would. With a very fine-tooth comb. Whatever that is.â She smiled, teasing him about the cliché, yet remembering his reputation as an assessor whom it was hard to fool. Her father had the memory of an elephant, coupled with great persistence.
The relationship between the two of them had always been close, and his wife Paulineâs precipitate departure had
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