twilight and got out to investigate.
There had been a drive next to the sign, but it seemed to have collapsed. What was left was a steep slope, not anything sheâd want to drive down if she had a choice.
She got back in the car and drove slowly over the edge, her wheels crunching on sparse gravel.
The road dipped down sharply, scraping the Mustangâs front fender, which made her shudder, and then leveled off into the pothole-laced lane that wound through the trees for about a quarter of a mile and came out into meadow gone to seed. Beyond that an ancient three-story stone house rose up, flaunting two rose windows, a crumbling tower, and a moat, all its windows dark in the twilight and beyond that more clustered trees over which crows circled and cawed. âThe House of Archer,â Andie said to herself as she slowed to take it all in. Well, it was a dull, dark, and soundless day in the autumn of the year.
She followed the drive around to the side where a little bridge crossed the moat onto an untended stretch of pavement that split, the right going to the front of the house and its weathered, stone-arched entrance and the left to the back and a large, weedy flagstoned yard beside a row of garages that had probably once been stables.
She pulled the Mustang up in front of the garages and got out, looking around the deserted yard as she slammed the door, the sound echoing in the gloom. The place wasnât just neglected, it was slovenly: weeds everywhere, the flagstone broken, the steps to the back door crumbling. The house was plainer in back, with just a single column of porch topped by bay windows, one to each floor, the window frames peeling and the gutters rusting, and everything oppressed by the bleak gray stone.
And all of it was really wrong. North wouldnât leave property looking like this. Not for two years. And heâd have made sure there was somebody there to greet her when she pulled up.
She shook her head and got one of her suitcases and headed for the house, now really wary of what she was going to find. She pushed the back door open, banging the case on the frame, and then went through a small mudroom and into a big, cold, gloomy, sitting room filled with heavily carved Victorian furniture including an ornate couch covered in green-striped silk, green-striped bolsters against each arm, and several side chairs covered in threadbare needlepoint.
She opened a side door into another cold room, this one all mahogany and brass, with a long, heavy dining table surrounded by equally heavy, ornate chairs.
There was another door in the opposite wall, and she opened that one, feeling more and more like Alice through the Looking Glass, but this time, light hit her as she walked in. It was a huge, white kitchen, but a less welcoming heart-of-the-house would be hard to imagine, nothing like the kitchen full of color North had given her in Columbus. Every surface was scrubbed and empty except for the long wood farmhouse table in the center.
A boy sat at the end, all shoulder blades and elbows, hunched over a bowl of something orange, his brown hair falling into his eyes as he looked up at her from under his thick lashes, his mouth set in a tight, hard line. Sitting close to him was a thin little girl cupping her hands around her own bowl of orange, her pale gray-blue eyes narrowed under her long, tangled white-blond hair, her T-shirt almost covered by all the stuff she had strung around her neck: an old strand of discolored purplish plastic pearls, an ancient locket on a pink ribbon, a string of tiny blue shells, a blue Walkman on a black cord, and a glittery bat on a black chain.
Wonderful,
Andie thought, and said, âHi.â
Two
âYouâre late,â a voice snapped from behind Andie, and she turned and saw a plump, overly powdered, elderly woman, her pale, watery, protruding eyes hostile under her improbably red-orange updo, her large white arms folded.
âYes,â Andie