warm woman were beginning to get to Peter Maxwell. He was in memory mode. âClaimed to have ridden up San Juan Hill with Teddy Roosevelt.â
Jacquie Carpenter loved Peter Maxwell with every fibre of her being, but there were times when she didnât have the faintest idea what he was talking about. This was one of them.âBut he didnât?â she asked tentatively.
He looked at her. What a love. So much to learn. So little time. Bit like Year Ten, really. âNo,â he said, kindly. âBut I wouldnât be at all surprised to learn it was Senlac Hill with William the Conqueror.â
She was on safe ground now and slapped his drinking hand, just for good measure. William sheâd heard of. Senlac Hill, Mad Max had had her wandering all over, not six months before. âSo, when do you start?â she asked.
âWell, Monday, I suppose. I must admit, itâll be intriguing to tread the boards again. But, I ask you, Little Shop of Horrors â whatâs that about?â
âWell,â she put down her coffee mug and adjusted the protuberance in front of her. âThere was this flower shop in downtownâ¦â
âOh, ha!â he snorted. âI mean, why couldnât it have been Ibsen, or Chekhov, or, Heaven forfend, the Bard?â
âBecause nobodyâd go,â she told him. âAt least this way youâll get an audience. If somebodyâs little Johnny was playing Uncle Vanya, not even little Johnnyâs mum would turn up. As it is, no doubt youâve got a thousand girlies anxious to strut their stuff â all their mums will be there. So will the dads, having an illicit shufty at their daughtersâ friends fol-de-rolsâ¦â
âDisgusting,â snarled Maxwell.
âAnd the geeks will be there to see how you do Audrey.â
âAudrey?â
âThe man-eating plant. God, Max, I thought you were kidding about not knowing what the show is about.â
âI am, dear girl, I am. You seem very clued up about it.â
âDid it in Year Eleven, didnât I? And before you ask, yes, that was a long time ago.â
âWell, the Arquebus doesnât know whatâs going to hit it.â
âThe Arquebus?â
âThe theatre. Along Quay Street.â
âYes, I know. Why there?â
âWell, itâs Angela Carmichaelâs idea, apparently. Theatre in the Community or something crappy. We donât use the Hall and invite the locals to come to us. No, thatâs far too boring and obvious. We go to them. Sort of mountain and Mohammed.â
âThere was an accident there last night.â
âAt the Arquebus?â
âHm. Fatal, actually.â
âReally?â He sat up a little, and looked her in the grey, sparkling eyes. âHave you been listening in to Police Wireless again?â he asked, the eyebrow of disapproval threatening his hairline.
âJane Blaisedell called round this morning. You know, just to see how I was.â
âHow are you?â He looked down at her, attentive, solicitous, taking the mick.
âPiss off and listen,â she insisted. It was one ofJacquieâs stranger stage directions, but Maxwell let it pass. âSomebody was killed, working on the set.â
âAnybody we know?â
âGordon Goodacre. Didnât ring any bells with me.â
âGod, yes.â Maxwell was frowning.
âDid you know him?â
He moved a little way away from her and held up his fingers in the sign of the cross. âPut those lighted matches down, Woman Policeman. I know nothing.â
âSeriously.â
âSeriously, no. But I have had the pleasure of Mrs Goodacre â and not, mercifully, in the biblical sense. Sheâll love this.â
âMax!â she squeaked. âThatâs not very nice.â
âSorry, no,â he checked himself. âNo, itâs tragic. But Matilda Goodacre is the original Drama