Tags:
Fiction,
General,
Islands,
Domestic Fiction,
Large Type Books,
Real estate developers,
Married Women,
South Carolina,
Low Country (S.C.),
ISBN-13: 9780061093326,
Large Print Books,
HarperTorch
stairs, a freestanding iron
staircase made for Clay by an old black ironmonger
on James Island when the house was built, and whose
designs now brought hundreds of thousands of dollars,
and paused at the landing. The house is open on both
the seaward and the landward sides, so that standing
on the landing is like standing suspended in a great
cage of glass. It always makes me dizzy, as if nothing
lies between me and the close-pressing darkness of the
old oaks and the shrouding oleanders in back, and the
great, sucking, light-breathing, always-waiting sea in
front. I shook my head and went quickly up to the
second floor, where the bedrooms were. They are open
to the sea, too, the best ones, but you can close it away
with heavy curtains if you choose, and the others, at
the back of the house, overlook the dark-canopied
backyard and feel to me like sheltering caves. I have
moved my daytime retreat there, in the back corner,
away from the beach and sea, though I still sleep in
the big master suite hung in the air over the lawn and
sea, with Clay. But when he is away I sleep on the
daybed in my den.
Instead of turning to the right, toward our bedroom
and mine and Clay’s dens, as I almost always did, I
turned left and walked down the hall toward the chil-
dren’s rooms. I think I had
Low Country / 29
known all day that I was going to do so. I did not
hesitate, and I did not think. I walked past Carter’s
closed door—closed because he had left it in such a
disgraceful state when he left in September for his first
year at graduate school at Yale that I had refused to
go into it, and told Estelle not to touch it but to let
him come back and find it just as he had left it—and
stopped at the big ocean-facing room on the end, its
door also closed. Kylie’s room.
Unlike Carter, Kylie was neat to a fault; she hated
it if anyone disturbed the strict order of her things, and
had insisted from her earliest childhood that no one
enter her closed room when she was not in it. I had
always respected that; I felt somewhat the same way
about my things, though long years of sharing a room
with Clay had loosened my scruples about order a bit.
He is not untidy, only abstracted. I think he does not
notice either order or disorder. I could still hear small
Kylie, frustrated nearly to tears in her attempt to ex-
plain why she did not want me to come into her room
when she was not in it: “But it’s mine ! It’s not yours!
You have a room of your own. Why do you need to
go in mine?”
“What are you hiding in there, a pack of wolves?” I
said. “Kevin Costner, maybe?”
She had fallen in love with the movie Dances with
Wolves , and was so besotted with wolves that she was
planning to be a wildlife veterinarian
30 / Anne Rivers Siddons
when she grew up, and work with the wild wolf packs
of the Far West. It was a mature and considered ambi-
tion, and I would not have been at all surprised if she
made it happen.
“I’m not hiding anything,” she said, looking seriously
at me, and I knew that she was not. Kylie hid nothing,
ever. She was as open as air, as clear as water. Then
she saw that I was teasing her, and she began to giggle,
the silvery, silly giggle that, I am told, is very like mine,
and then she laughed, the deep, froggy belly laugh that
is mine also. In a moment we were both laughing,
laughing until the tears rolled down our so-alike small,
brown faces, laughing and laughing until Clay came
in to see what was so funny, and said, grinning himself,
“Ladies and gentlemen, for your enjoyment to-
night…Venable and Venable! Let’s give them a great
big hand!”
And we rolled over on our backs on the floor of her
room, Kylie and I, in helpless laughter and simple joy,
because it was true. We were Venable and Venable.
We simply delighted each other. There was nothing
in either of us that did not understand and admire the
other. Even when she was a baby,