railing of the quay was just about visible, along with the masts and helms of
barges, and the roof of the lock-keeperâs house.
âWhen are you off, then,
Gassin?â
Then another man said, in a whisper:
âGo on, tell him!â
It seemed that his
advice would be followed. The old man stood up and with the forced casualness of
drunks shambled to the counter.
âAnother one, Fernand!â
He was still watching Maigret. There was
something very complex in his expression, for in his look there was a hint of
insolence to be sure but also a degree of underlying hopelessness.
The inspector tapped the table with a
coin to summon the landlord.
âWhat do I owe you?â
Fernand, leaning over the table, told
him the amount then added in a whisper:
âDonât provoke him.
Heâs been drunk for two days.â
The words were only half spoken, but
from where he was sitting the old man thundered:
âWhat you saying?â
Maigret was on his feet. He wasnât
looking for trouble. He put on his most inoffensive expression and made for the
door. When he had crossed the road, he turned and saw Gassin, who was now at the
window, glass in hand, watching his every move.
The air was warmer now, and dark gold in
colour. A sleeping tramp lay stretched out on the stone flags of the quayside. There
was a newspaper over his head.
Cars drove past along with the trucks
and trams, but by now Maigret had realized that they were not important. Whatever
roared by like this along the road was not part of the landscape. Paris came this
way to get to the banks of the Marne, but it was just traffic noise. What really
counted
was the lock, the hooting of the
tugs, the stone-crusher, the barges and the cranes, the two pilotsâ bars and
especially the tall house where he could make out Ducrauâs red chair framed by
a window.
People felt at home out of doors.
Workmen from a crane were sitting on a pile of sand, having a bite to eat. A woman
was setting up a table on the deck of her barge, and her neighbour was doing the
washing.
The inspector walked unhurriedly down
the stone steps and rediscovered the same slow, strong rhythm of things he had felt
once before when investigating a crime in Haute-Marne. Even the distinctive smell of
the canal prompted images to flash into his mind of barges gliding without breaking
the surface of the water.
He was nearly at the
Golden
Fleece
, with its hull built of wood coated with red-coloured resin. The
deck, which had just been washed, was drying in patches, and the young woman was
nowhere to be seen.
Maigret took a couple of steps on the
gangplank, turned, saw the old man leaning down over the railing above him. He went
on and, once on board, called out:
âAnyone about?â
On a nearby boat, the woman who was
doing her washing watched him as he headed towards a double door with blue and red
glass panes.
âHello?â
A short flight of stairs led down to
what he could dimly make out as a clean, neat room. In one corner, he could even see
a table with a cloth on it.
He continued down the stairs and, when
he reached the
last step, he came face to
face with the young woman with fair hair, who was sitting on a straw-bottomed chair
holding a baby to her breast.
It was so unexpected and at the same
time so natural a thing that the inspector removed his hat awkwardly, stuffed his
still hot pipe into a pocket and took a step back.
âOh, Iâm sorry â¦â
The young woman must have felt scared.
She scrutinized him as if she were trying to guess his intentions, but she did not
move from where she was, and the childâs tiny mouth remained clamped on her
breast.
âI didnât know ⦠Iâm
in charge of the investigation and I came on board to ask you for some
information.â
As Maigret looked at her he felt vaguely
uneasy. Some
Janwillem van de Wetering