like a whisky. She shakes her head, then smiles and goes off to the kitchen. I comb my hair into shape and go out into the lounge room.
âWhy are you wearing that stupid badge? I ignore Alex and go grab my whisky and sit down in the kitchen with Mum. What are you going to do tonight? I ask her.
âDepends if your dad comes home early from the kafenio . Maybe weâll visit your aunt. I cradle the glass in my hand. It bothers me that Mum has to wait for Dad before she goes out, as if sheâs not an adult and canât make a decision on her own. But she wonât listen to me so I decide not to push the issue. I think you should go on your own, is all I can say. She touches my hand and takes a hit of whisky from her glass. What are you up to tonight?
Dumb question. She knows Iâm only going to sketch in a few details for her. Iâll go out with Joe, meet some people. I change the conversation.
âMum, I want to go to Greece.
âWith what money? Hers and Dadâs, of course. I donât have any. But I donât say that.
âWith whatever I can scrounge up. Donât you want me to go? Dad would want me to go.
âYour father would want to go with you. She pours herself another drink and lights a cigarette. I grab one from her pack. Mum, Iâve been thinking about it. Iâd really like to go, donât you want me to go?
âOf course Iâd like you to go. But when, how, where you going to get your money, manoula mou ? You have to get a job first. Iâm not put off by her mentioning work. Iâm enjoying our chat. When Iâm speeding, when Mumâs drinking,we can converse like normal people, without getting heated and uptight with each other.
âMum, thereâs no work here. Maybe I can get work in Greece. My mother looks sad. Please, Ari mou , donât say that. I donât want the family to split up. I couldnât stop worrying if you were in Greece forever. It wouldnât be forever, I answer. I cannot envisage forever, Iâm thinking more a couple of years living in a different country, meeting new people, getting excited about unfamiliar sights, sounds and smells. Also a couple of years away from the family and all their hang-ups and expectations. I canât say that of course. It wouldnât be forever, I answer. Just a year or so.
âAri, why donât you go back to school. You are going to be twenty next year. An adult and you still donât have a plan for your life.
I butt out my cigarette and sit back in the kitchen chair looking at my mother. I donât know what to answer her. I could go back to school, I could try and get some shit job cleaning toilets in a hospital somewhere, or disappear in some office labyrinth in the city somewhere, doing a job that a computer could do faster and better than me anyway. A computer wouldnât have an attitude problem. I try to put some words together, and though I know what I want to say, I canât make my lips move. I donât want a life like she has. And I donât want the life she wants for me. I hear Alex in the next room trying to find a song on an old record. She lands the needle on the vinyl with a small scratch. If youâre going to play my records, take care of them, I yell at her. She ignores me and turns up the volume. Mum finishes her glass and gets up, humming to the song. Tom Waits. I sing along with her. I sit on the kitchen bench and take up the telephone, dialling and listening to my mother sing in her deep tone, and Alexâs voice, shrill in the background.
â Australeza , I tease my mum. She hits me lightly across my legs. Wog, she calls me.
It is night outside the kitchen window and with the warm whisky in my stomach, the speed in my veins, Iâm keen to move from the house and into the big world outside. Joe sounds half-asleep on the phone so I keep the conversation short and simple. What time should I come over? I ask. Ten, he says.
Dossie Easton, Janet W. Hardy